{"corpus":"steiner","locus":"GA 277b/1920-04-18/p014","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"It is precisely this eurythmic art that shows how the human being, when used as a means of expression, can itself be the most perfect expression. It is Goethe again who says: “When nature begins to reveal its manifest secret to him, he feels an irresistible longing for its most worthy interpreter, art.” And art, when it uses man himself as an instrument, satisfies that which Goethe says so beautifully in his artist book about Winckelmann: By placing man [at the summit of nature, he in turn produces a summit within himself, taking measure, harmony and meaning together and finally elevating himself to a work of art].","text_trust":"verbatim","quote_safe":true,"title":"60. Eurythmy Performance","site_heading":null,"date":"1920-04-18","location":null,"word_count":107,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-18/p014","alignment_confidence":"medium","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200418e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-18/p014","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-04-18","de_passages":[{"locus":"GA 277b/1920-04-18/p012","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-18/p012"}],"bead_confidence":"medium","pairing_state":"proposed","verified":false,"length_check":{"de_words":102,"en_words":107,"ratio":1.05,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-04-18/p012","passage_number":12,"text":"Gerade diese eurythmische Kunst zeigt, wie der Mensch, wenn er als Ausdrucksmittel benutzt wird, selbst vollkommenster Ausdruck sein kann. Goethe ist es wieder, der da sagt: «Wem die Natur [ihr offenbares Geheimnis zu enthüllen anfängt, der empfindet eine unwiderstehliche Sehnsucht nach ihrer würdigsten Auslegerin,] der Kunst.» Und die Kunst, wenn sie den Menschen selbst als Instrument gebraucht, sie befriedigt das, was Goethe so schön in seinem Künstlerbuch über Winckelmann sagt: Indem der Mensch [auf den Gipfel der Natur gestellt ist, bringt er in sich selbst wiederum einen Gipfel hervor, nimmt Maß, Harmonie und Bedeutung zusammen und erhebt sich zum Schlusse zum Kunstwerk].","text_trust":"verbatim","quote_safe":true,"word_count":102,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-18/p012"}],"english":["GA 277b/1920-04-18/p014"],"method":"length","confidence":"medium","correspondence":"established","length_check":{"de_words":102,"en_words":107,"ratio":1.05,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":0.94,"band":"comparable","note":null,"word_count":1860,"original_word_count":1987,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200418e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-04-18/p012"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}