63. Eurythmy Performance

GA 277b/1920-05-01/p009 ·1920-05-01 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

This is the unique feature of eurythmy: it has not grown out of some random flights of fancy, but out of a lawfulness that contains just as much inner necessity as the lawfulness of speech or song itself. So when we hear eurythmy accompanied by recitation and the spoken language expresses the recitation, the poem – or something musical is expressed through the instrument or also through singing, the eurythmic presentation is just another form, just another language. But it is a language that can be said to bring about, in many respects, those artistic aspirations that are sought by a large proportion of those who are artistically striving today.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/277b/1920-05-01/p009.json
Cite: GA 277b/1920-05-01/p009 · edition English