63. Eurythmy Performance

GA 277b/1920-05-01/p020 ·1920-05-01 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
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But we are our own harshest critics, and today, as always, I ask for your forbearance. We are only at the beginning of a development and we know full well that there is still much to be done. Those of our esteemed listeners who were here months ago and saw our performances will be able to see how we have progressed, particularly in the development and artistic design of the forms. Little by little, all mimicry will disappear and the artistic will come to the fore. Nothing symbolic must remain, as it may have happened in the beginning and may not have disappeared completely even today. But we will find a way to eliminate symbolism and allegory altogether and to express the creative awareness that is the moving language of eurythmy artistically. Then it will be seen that, although this eurythmy is still in its infancy, as those in the audience who were there earlier will see, it has already progressed, and that we are convinced that what is still imperfect today is capable of greater perfection. So that eurythmy as an art will one day stand in such a way – perhaps it will no longer be developed by us, but by others in this way – that eurythmy will be able to present itself as a complete art alongside its older, fully-fledged sister arts.

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Cite: GA 277b/1920-05-01/p020 · edition English