{"corpus":"steiner","locus":"GA 277b/1920-07-11/p004","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Dear Ladies and Gentlemen, The art of eurythmy, of which we would like to give you a small sample here today, attempts to penetrate to the very sources of human artistic creation in a certain way, unlike certain other arts that can easily be confused with it - dance or other mimic arts. It seeks to achieve this through very special artistic means. And because it is necessary to say a few words about this so that the essence of this artistic direction can be grasped, I will send these words ahead – not to explain the performance itself, which would of course be an inartistic undertaking. For art must speak for itself in the immediate impression it makes.","text_trust":"verbatim","quote_safe":true,"title":"71. Eurythmy Performance","site_heading":null,"date":"1920-07-11","location":null,"word_count":119,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p004","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p004"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p004","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-07-11","de_passages":[{"locus":"GA 277b/1920-07-11/p004","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p004"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","reader"],"reader_german":["GA 277b/1920-07-11/p004"],"length_check":{"de_words":120,"en_words":119,"ratio":0.99,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-07-11/p004","passage_number":4,"text":"Meine sehr verehrten Anwesenden! Die eurythmische Kunst, von der wir Ihnen auch heute hier eine kleine Probe vorführen wollen, versucht anders als gewisse Nach Louise van Blommestein KSaG, M.4761 barkünste, die man leicht damit verwechseln kann - Tanzkünste oder sonstige mimische Künste -, anders als diese vorzudringen in einer gewissen Weise zu den Quellen des menschlichen künstlerischen Schaffens überhaupt. Sie sucht dies zu erreichen durch ganz besondere Kunstmittel. Und weil darüber notwendig ist, einige Worte zu sagen, damit das Wesen dieser künstlerischen Richtung ins Auge gefasst werden könne, sende ich diese Worte voraus - nicht etwa um die Vorstellung selbst zu erklären, was natürlich ein unkünstlerisches Unternehmen wäre. Denn Kunst muss durchaus durch sich selbst für den unmittelbaren Eindruck sprechen.","text_trust":"verbatim","quote_safe":true,"word_count":120,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p004"}],"english":["GA 277b/1920-07-11/p004"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":120,"en_words":119,"ratio":0.99,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","reader"],"reader_german":["GA 277b/1920-07-11/p004"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2074,"original_word_count":2078,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-07-11/p004"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}