71. Eurythmy Performance

GA 277b/1920-07-11/p007 ·1920-07-11 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Now, if you look at what is being presented superficially, you would think that you were dealing with pantomime or facial expressions. On the other hand, it can be said that when we speak, we sometimes feel compelled to support our speech with gestures. When do we do that? We only do that when we feel that we are subjectively pursuing something that is more or less fully expressed in speech. But what is present in actual eurythmy is just as objective as what is expressed in language; all gesturing is excluded from it, all mere pantomime and mime is excluded from it. This can now be considered in the same way as it is considered for ordinary language.

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Cite: GA 277b/1920-07-11/p007 · edition English