{"corpus":"steiner","locus":"GA 277b/1920-07-11/p011","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"To do this, however, it is necessary, and this must be mentioned again and again, that one must return to the actual artistic element of poetry. Our time is essentially unartistic, and it is therefore very common today to perceive what is literally the content as the essential thing about the poetic art. In contrast to this, it must be said again and again that Schiller, for example, had an indeterminate melody alive in his soul, and from this indeterminate melody anything could become, whether it was “The Diver” or “The Fight with the Dragon” or anything else - that only emerged later. The essential thing for Schiller was not the literal content, [gap in the text] not the prose that is in the poem, but the important thing was the rhythm, the beat, the musicality, the plasticity, the imagery.","text_trust":"verbatim","quote_safe":true,"title":"71. Eurythmy Performance","site_heading":null,"date":"1920-07-11","location":null,"word_count":140,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p011","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p011"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p011","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-07-11","de_passages":[{"locus":"GA 277b/1920-07-11/p011","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p011"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":136,"en_words":140,"ratio":1.03,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-07-11/p011","passage_number":11,"text":"Dazu ist allerdings notwendig, und das muss immer wieder erwähnt werden, dass überhaupt zu dem eigentlich künstlerischen Elemente der Dichtung wiederum zurückgekehrt werden muss. Unsere Zeit ist eine im Wesentlichen unkünstlerische, und man empfindet sehr häufig heute deshalb als das Wesentliche an der dichterischen Kunst, was wortwörtlicher Inhalt ist. Dagegen muss immer wieder und wiederum gesagt werden, dass Schiller zum Beispiel eine unbestimmte Melodie in seiner Seele lebendig hatte, und aus dieser unbestimmten Melodie konnte nun alles Mögliche noch werden, ob es «Der Taucher» wurde oder «Der Kampf mit dem Drachen» oder irgendetwas anderes - das stellte sich erst später ein. Das Wesentliche für Schiller war nicht der wortwörtliche Inhalt, [Lücke im Text] nicht also die Prosa, die in dem Gedichte ist, sondern das Wichtige war der Rhythmus, der Takt, das Musikalische, das Plastische, das Bildhafte.","text_trust":"verbatim","quote_safe":true,"word_count":136,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p011"}],"english":["GA 277b/1920-07-11/p011"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":136,"en_words":140,"ratio":1.03,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2074,"original_word_count":2078,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-07-11/p011"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}