{"corpus":"steiner","locus":"GA 277b/1920-07-11/p012","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Today, people love an art of recitation that actually no longer has much to do with artistry, but sometimes with human sentimentality, with human goodwill to express this or that inwardly – although it always remains a phrase or sentimentality. But what real recitation is, can still be found in older times. Goethe rehearsed his Iphigenia with his actors with a baton, not so much going into the content as into the way the iambic went. This literal recitation could not be juxtaposed with eurythmy as an accompanying art, but one must also go into the eurythmic aspect of speaking itself. And so here one must recite as the good old artists of yore recited.","text_trust":"verbatim","quote_safe":true,"title":"71. Eurythmy Performance","site_heading":null,"date":"1920-07-11","location":null,"word_count":115,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p012","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p012"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p012","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-07-11","de_passages":[{"locus":"GA 277b/1920-07-11/p012","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p012"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":127,"en_words":115,"ratio":0.91,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-07-11/p012","passage_number":12,"text":"Heute liebt man eine Rezitationskunst, die eigentlich mit Künstlerischem nicht mehr viel zu tun hat, sondern manchmal mit menschlicher Sentimentalität, mit menschlichem guten Willen, das oder jenes recht innerlich auszudrücken — wobei es ja immer doch eine Phrase bleibt oder eine Sentimentalität bleibt. Dasjenige aber, was wirkliche Rezitation ist, man kann es ja noch aufsuchen in älteren Zeiten. Goethe hat mit dem Taktstock seine «Iphigenie» mit seinen Schauspielern einstudiert, nicht so schr auf den Inhalt eingehend, sondern auf die Art und Weise, wie der Jambus seinen Schritt ging. Dieses Wortwörtliche als Rezitation könnte man gar nicht als Begleitungskunst der Eurythmie gegenüberstellen, sondern da muss man auch auf das Eurythmische im Sprechen selber eingehen. Und so muss hier so rezitiert werden, wie die guten alten Künstlerzeiten rezitiert haben.","text_trust":"verbatim","quote_safe":true,"word_count":127,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p012"}],"english":["GA 277b/1920-07-11/p012"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":127,"en_words":115,"ratio":0.91,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2074,"original_word_count":2078,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-07-11/p012"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}