{"corpus":"steiner","locus":"GA 277b/1920-07-11/p014","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"This production of the work of art comes to life, I would say, most fully when the human being, in the realm in which he sees eurythmy, makes himself an artistic tool for what he has to represent. Then this microcosm, this small world, as the human being presents it, as he brings it before us, is really not conceived of as a collection of arbitrary elements for the expression of the subjective, which comes to expression in the gesture, in the facial expression. Rather, what is inherent in him from his entire integration into the world, that is to be said with regard to the artistic aspect of eurythmy. And first and foremost, eurythmy should be something artistic.","text_trust":"verbatim","quote_safe":true,"title":"71. Eurythmy Performance","site_heading":null,"date":"1920-07-11","location":null,"word_count":119,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p014","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p014"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p014","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-07-11","de_passages":[{"locus":"GA 277b/1920-07-11/p014","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p014"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":111,"en_words":119,"ratio":1.07,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-07-11/p014","passage_number":14,"text":"Diese Produktion des Kunstwerkes lebt, ich möchte sagen am menschlichsten dann, wenn der Mensch auf dem Gebiet, in dem er die Eurythmie sieht, sich selber zum künstlerischen Werkzeug macht für dasjenige, was er darzustellen hat. Dann ist wirklich dieser Mikrokosmos, diese kleine Welt, wie der Mensch sie darstellt, wie er sie vor uns bringt, nicht aus einzelnem Willkürlichen zum Ausdruck des Subjektiven, das in der Gebärde, in der Mimik zum Ausdrucke kommt, [gedacht]. Sondern dasjenige, was in ihm veranlagt ist aus seinem ganzen Eingegliedert-Sein in die Welt, das ist im Wesentlichen mit Bezug auf das Künstlerische der Eurythmie zu sagen. Und in erster Linie soll ja die Eurythmie etwas Künstlerisches sein.","text_trust":"verbatim","quote_safe":true,"word_count":111,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p014"}],"english":["GA 277b/1920-07-11/p014"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":111,"en_words":119,"ratio":1.07,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2074,"original_word_count":2078,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-07-11/p014"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}