{"corpus":"steiner","locus":"GA 277b/1920-07-11/p019","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"It should also be noted that in the art of recitation, which has the particular artistic task of emphasizing the poetic, we do not achieve this by particularly emphasizing the prose content and , but that every effort must be made to apply a suitably artistic form of recitation to eurythmy, which is certainly still in its early days today, and that this will not be universally understood today. What is available as a beginning in the artistic field can, especially if our contemporaries are interested, perhaps be perfected by ourselves, but probably by others. And then something will develop out of this eurythmic art that will be able to stand as a fully-fledged sister art alongside the older fully-fledged sister arts of eurythmy.","text_trust":"verbatim","quote_safe":true,"title":"71. Eurythmy Performance","site_heading":null,"date":"1920-07-11","location":null,"word_count":124,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p019","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p019"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-07-11/p019","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-07-11","de_passages":[{"locus":"GA 277b/1920-07-11/p019","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p019"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":134,"en_words":124,"ratio":0.93,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-07-11/p019","passage_number":19,"text":"Es ist noch zu bemerken, dass wir in der Kunst der Rezitation, die das besondere Künstlerische in dem Dichterischen hervorzuheben hat, dies nicht dadurch zustande bringen, dass wir den Prosagehalt besonders betonen und ihn zur Kunst zu erheben versuchen, sondern dass alles angestrebt werden muss, um nach der anderen Seite hin auch in der Eurythmie, die ja gewiss heute noch in ihrem Anfange vorliegt, eine entsprechend künstlerische Rezitationsform anzuwenden, die heute noch nicht überall verstanden werden wird. Was als ein Anfang vorliegt auf künstlerischem Gebiete, es kann, namentlich wenn cs das Interesse unserer Zeitgenossen zulässt - vielleicht noch durch uns selbst, wahrscheinlich aber von anderen - vervollkommnet werden. Und dann wird sich schon aus dieser eurythmischen Kunst etwas herausentwickeln, was als eine vollberechtigte Schwesterkunst neben die älteren vollberechtigten Schwesterkünste die Eurythmie wird hinstellen können.","text_trust":"verbatim","quote_safe":true,"word_count":134,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-07-11/p019"}],"english":["GA 277b/1920-07-11/p019"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":134,"en_words":124,"ratio":0.93,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2074,"original_word_count":2078,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200711e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-07-11/p019"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}