{"corpus":"steiner","locus":"GA 277b/1920-08-15/p005","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Allow me today, as usual, to say a few words before these attempts at a eurythmic presentation. It is not done to explain the idea. Artistic attempts that would first need explanations would not be such. Art speaks entirely for itself, and it should also be understandable for the immediate impression. But now, with this eurythmic art, the attempt is being made to create something out of different artistic sources than those we are used to, and through a different formal language. And about these sources and about this formal language, allow me to say a few words, also because the whole attempt at the eurythmic art is still in its infancy and only with its further perfection will it be able to give what is actually intended.","text_trust":"verbatim","quote_safe":true,"title":"75. Eurythmy Performance","site_heading":null,"date":"1920-08-15","location":null,"word_count":128,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-08-15/p005","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200815e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-08-15/p005"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-08-15/p005","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-08-15/p005","passage_number":5,"text":"Gestatten Sie, dass ich heute wie sonst vor diesen Versuchen einer eurythmischen Darstellung einige Worte voraussende. Es geschieht nicht, um etwa die Vorstellung zu erklären. Künstlerische Versuche, welche erst Erklärungen nötig hätten, wären ja keine solchen. Kunst spricht durchaus durch sich selbst, auch für den unmittelbaren Eindruck soll sie verständlich sein. Nun aber ist es bei dieser eurythmischen Kunst so, dass der Versuch gemacht wird, aus anderen Kunstquellen heraus, als die bisher gewohnten sind, und durch eine andere Formensprache etwas zu schaffen. Und über diese Quellen und über diese Formensprache sei es mir gestattet, einige Worte zu sagen, auch deshalb, weil ja der ganze Versuch der eurythmischen Kunst noch im Anfange ist und erst bei seiner weiteren Vervollkommnung das wird geben können, was in Wirklichkeit beabsichtigt ist eigentlich.","text_trust":"verbatim","quote_safe":true,"word_count":128,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-08-15/p005"}],"english":["GA 277b/1920-08-15/p005"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":128,"en_words":128,"ratio":1.0,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":2443,"original_word_count":2396,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200815e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-08-15/p005"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}