{"corpus":"steiner","locus":"GA 277b/1920-08-15/p006","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"On the stage, they will perform the movements that a person performs with their limbs – movements of the whole person, movements of groups of people. All of this is not achieved by some kind of pantomime or facial expressions, but is based on carefully observing what actually happens in a person when they reveal the depths of their soul through speech. We can say that, like everything that this Dornach structure wants to present to the world, the art of eurythmy is also derived from Goetheanism, from Goethe's view of art and his artistic attitude.","text_trust":"verbatim","quote_safe":true,"title":"75. Eurythmy Performance","site_heading":null,"date":"1920-08-15","location":null,"word_count":96,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-08-15/p006","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200815e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-08-15/p006"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-08-15/p006","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-08-15/p006","passage_number":6,"text":"Sie werden auf der Bühne schen die Bewegungen, die der Mensch ausführt durch seine Glieder - Bewegungen des ganzen Menschen, Bewegungen der Menschengruppen. Das alles ist nicht etwa durch eine Art von Pantomime oder Mimik zustande gekommen, sondern es beruht auf einem sorgfältigen Verfolgen desjenigen, was eigentlich im Menschen vor sich geht, wenn der Mensch durch die Lautsprache das Innere seiner Seele offenbart. Man kann sagen: [Wie] alles, was von diesem Dornacher Bau hier vor die Welt sich hinstellen will, so ist auch diese eurythmische Kunst aus dem Goetheanismus herausgeschöpft, aus Goethe’scher Kunstanschauung, Goethe’scher künstlerischer Gesinnung.","text_trust":"verbatim","quote_safe":true,"word_count":96,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-08-15/p006"}],"english":["GA 277b/1920-08-15/p006"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":96,"en_words":96,"ratio":1.0,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":2443,"original_word_count":2396,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200815e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-08-15/p006"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}