{"corpus":"steiner","locus":"GA 277b/1920-08-15/p008","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"What Goethe applied to the form of plants, and later extended to the form of animals, is here to be used – but elevated to the artistic – for the eurythmic art. From knowledge, Goethe also builds a bridge to skill, to artistic skill. And Goethe has a beautiful saying that should be taken up by every artistic disposition: “When nature begins to reveal her secrets, one longs for her most worthy interpreter, art.” This brings us to true knowledge, which does not live in abstractions but in direct observation, and to artistic creation.","text_trust":"verbatim","quote_safe":true,"title":"75. Eurythmy Performance","site_heading":null,"date":"1920-08-15","location":null,"word_count":94,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-08-15/p008","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200815e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-08-15/p008"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-08-15/p008","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-08-15/p008","passage_number":8,"text":"Was nun Goethe angewendet hat auf die Gestalt des Pflanzlichen, später auch ausgedehnt hat auf die Gestalt des Tierischen, hier soll es verwendet werden - aber allerdings ins Künstlerische heraufgehoben - zur eurythmischen Kunst. Vom Erkennen baut ja auch Goethe eine Brücke zum Können, zum künstlerischen Können. Und ein schönes Wort ist von Goethe, das eigentlich in jede künstlerische Gesinnung aufgenommen werden müsste: Wem die Natur ihr offenbares Geheimnis zu enthüllen beginnt, der sehnt sich nach ihrer würdigsten Auslegerin, der Kunst. - Damit rückt Goethe an wahres Erkennen, das nicht in Abstraktionen lebt, sondern das im unmittelbaren Anschauen lebt, das künstlerische Schaffen heran.","text_trust":"verbatim","quote_safe":true,"word_count":103,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-08-15/p008"}],"english":["GA 277b/1920-08-15/p008"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":103,"en_words":94,"ratio":0.91,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":2443,"original_word_count":2396,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200815e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-08-15/p008"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}