8. Speech on Eurythmy

Goethe pointed out – and this will play a much greater role in the future study of the living than humanity can even dream of today – Goethe asserted that the whole plant is nothing more than a more complicated, developed leaf and that the leaf is a simply formed whole plant. So we can also say that what is present in the larynx and its neighboring organs is actually the whole human being. And we can, in turn, observe what is happening in the speech organs and apply it to the whole human being and to groups of people. This is how we arrive at this moving language, which is presented to you as eurythmy. There is nothing mimic, pantomime, nothing merely dance-like in it, but the succession of movements is as the succession of sounds in human language. And the forms in which we execute the movements are, as it were, to represent the artistic design of the literal, these movements are modeled on the pure creation, the design of the human being, as the poet shapes it out of mere prose language and so on.