8. Speech on Eurythmy

GA 277c/1920-10-17/p010 ·1920-10-17 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Architecture is an art that initially appears to have no real model. It appears as it does, through proportionality, symmetry, through a sensed or perceived balance and equilibrium of the individual architectural elements and so on. We feel no model for architecture because this model is in the outer being of the human being himself. What we experience, for example, as a small child, from the state in which we cannot walk, gradually learning to walk, swinging up to the vertical, what we experience as balance when we learn to move our limbs. In short, everything that we experience within ourselves, can experience as the innermost part of the human body's formation, when this body is alive, we carry it out into the outer world and develop it into architecture.

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Cite: GA 277c/1920-10-17/p010 · edition English