{"corpus":"steiner","locus":"GA 277c/1921-07-24/p011","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"What is being sought here is a real return to the art of declamation and recitation, which cannot be based on emphasizing the prosodic structure, but must be based on the artistic, musical, thematic, rhythmic, and metrical shaping of the language treated by the poet, or on the imaginative and pictorial elements that underlie poetry which a poet like Goethe has based on, to the purely prosaic, in order to express the actual [poetic] of the poem. One can say that the actual essence of poetry never lies in the words and in what is to be conveyed in the words, but in the treatment of the thoughts, in the way the words or thoughts are formed. This can be particularly emphasized by the artistic presentation of eurythmy, but it must also come to the fore in declamation or recitation.","text_trust":"verbatim","quote_safe":true,"meaning_warning":"A sentence of this translation says something the German does not; translation_faults names it, with the German. quote_safe certifies the words, not the meaning: do not quote that sentence as Steiner's meaning. Quote the German or another translation, or quote it only to show the fault.","title":"43. Eurythmy Performance","site_heading":null,"date":"1921-07-24","location":null,"word_count":140,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277c/1921-07-24/p011","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1920–1922","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277c/English/SOL2025/19210724e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277c/1921-07-24/p011"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277c/1921-07-24/p011","paragraph_aligned":true}],"translation_faults":[{"locus":"GA 277c/1921-07-24/p011","translation":"Steiner Online Library (rsarchive SOL2025)","kinds":["substitution"],"sentence":"What is being sought here is a real return to the art of declamation and recitation, which cannot be based on emphasizing the prosodic structure, but must be based on the artistic, musical, thematic, rhythmic, and metrical shaping of the language treated by the poet, or on the imaginative and pictorial elements that underlie poetry which a poet like Goethe has based on, to the purely prosaic, in order to express the actual [poetic] of the poem.","note":"This sentence substitutes prosody for prose content. The German says that the art of declamation and recitation cannot aim at pointing up the prose content but must aim at the artistic, musical, thematic, rhythmic and metrical shaping of the poet's language. The translation says it 'cannot be based on emphasizing the prosodic structure', which names the very metrical shaping the sentence goes on to require.","german_locus":"GA 277c/1921-07-24/p011","german_sentence":"Man findet dann in dem, was hier gesucht wird, ein wirkliches Zurückgehen auf die deklamatorisch-rezitatorische Kunst, die nicht auf die Pointierung des Prosagchaltes ausgehen kann, sondern die ausgehen muss auf das künstlerische, musikalische, thematische, rhythmische, taktmäßige Gestalten der vom Dichter behandelten Sprache ‚oder auf das Imaginativ-Bildhafte, das der Dichtung zugrunde liegen kann, was gerade ein solcher Dichter wie Goethe zugrunde gelegt hat dem rein Prosaischen, um das eigentlich [Poetische] der Dichtung zum Ausdruck zu bringen.","german_url":"https://anthroposophy.ai/v1/steiner/de/ga/277c/1921-07-24/p011","found":"Flagged by a reader in paragraph-pairing batch 5 (index-cited, packets 241-300) of 5 November 2026; confirmed against the served German on 6 November 2026 (the corpus holds no printed volume); a blind re-check of ten sampled candidates confirmed five of the seven sampled faults, and the two it disputed were held out; warning approved by the operator on 6 November 2026.","advice":"The words are quoted correctly from this translation, but this sentence does not say what the German says. Quote the German, or another translation, for it; quote this translation only to show the fault."}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 277c/1921-07-24/p011","passage_number":11,"text":"Man findet dann in dem, was hier gesucht wird, ein wirkliches Zurückgehen auf die deklamatorisch-rezitatorische Kunst, die nicht auf die Pointierung des Prosagchaltes ausgehen kann, sondern die ausgehen muss auf das künstlerische, musikalische, thematische, rhythmische, taktmäßige Gestalten der vom Dichter behandelten Sprache ‚oder auf das Imaginativ-Bildhafte, das der Dichtung zugrunde liegen kann, was gerade ein solcher Dichter wie Goethe zugrunde gelegt hat dem rein Prosaischen, um das eigentlich [Poetische] der Dichtung zum Ausdruck zu bringen. Man kann sagen, das eigentliche Wesen der Dichtung liegt niemals in den Worten und in dem, was in den Worten mitgeteilt werden soll, sondern in der Gedankenbehandlung, in dem Wie der Gestaltung der Worte oder der Gedanken. Das aber kann gerade durch die künstlerische Darstellung der Eurythmie besonders hervorgehoben werden, muss jedoch auch im Deklamieren oder Rezitieren schon zum Vorschein kommen.","text_trust":"verbatim","quote_safe":true,"word_count":136,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277c/1921-07-24/p011"}],"english":["GA 277c/1921-07-24/p011"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":136,"en_words":140,"ratio":1.03,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","reader"],"reader_german":["GA 277c/1921-07-24/p011"]},"witness_completeness":{"ratio":1.05,"band":"comparable","note":null,"word_count":2205,"original_word_count":2110,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1920–1922","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277c/English/SOL2025/19210724e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277c/1921-07-24/p011"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}