{"corpus":"steiner","locus":"GA 277c/1921-10-16/p013","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Today, the understanding of recitation or declamation is by no means correct. Greater value is placed on so-called reciters or declamators who succeed in overcoming the inner, linguistically structured structure of a poem and emphasizing the prose content, the literal content. It is perceived as very internal. That is something that must be characteristic of an inartistic age. But we must return to the artistic concept of recitation and declamation. It would be impossible to accompany the eurythmics, which bring out and reveal the subtexts of a poem, as prosaically as is popular today.","text_trust":"verbatim","quote_safe":true,"title":"52. Eurythmy Performance","site_heading":null,"date":"1921-10-16","location":null,"word_count":94,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277c/1921-10-16/p013","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1920–1922","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277c/English/SOL2025/19211016e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277c/1921-10-16/p013"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277c/1921-10-16/p013","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 277c/1921-10-16/p013","passage_number":13,"text":"Heute hat man ein durchaus nicht richtiges Verständnis in Rezitation oder Deklamation. Man legt einen größeren Wert darauf, wenn sogenannten Rezitatoren oder Deklamatoren es gelingt, das innere, sprachlich gestaltete Gefüge eines Gedichtes zu überwinden, und gerade den Prosainhalt, den wortwörtlichen Inhalt zu pointieren. Man empfindet das als sehr innerlich. Das ist etwas, was einem unkünstlerischen Zeitalter ja eigen sein muss. Aber wir müssen wiederum zurückkommen zur künstlerischen Auffassung auch des Rezitierens und Deklamierens. Man könnte so prosaisch, wie es heute beliebt ist, gar nicht deklamatorisch begleiten das Eurythmische, das gerade die Untergründe eines Gedichtes heraufholt und offenbart.","text_trust":"verbatim","quote_safe":true,"word_count":97,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277c/1921-10-16/p013"}],"english":["GA 277c/1921-10-16/p013"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":97,"en_words":94,"ratio":0.97,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.07,"band":"comparable","note":null,"word_count":2261,"original_word_count":2110,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1920–1922","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277c/English/SOL2025/19211016e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277c/1921-10-16/p013"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}