{"corpus":"steiner","locus":"GA 277d/1923-01-07/p013-p014","extent":"range","passage_number":13,"through":14,"paragraph_count":2,"first_locus":"GA 277d/1923-01-07/p013","last_locus":"GA 277d/1923-01-07/p014","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"title":"Eurythmy Performance","date":"1923-01-07","location":null,"alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org//Lectures/GA277d/English/SOL2025/19230107e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":1432,"original_word_count":1422,"may_be_abridged":false},"site_heading":null,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-01-07/p013-p014","json_url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-01-07/p013-p014.json","lecture_url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-01-07#p013","word_count":223,"quote_safe":true,"passages":[{"passage_number":13,"locus":"GA 277d/1923-01-07/p013","text":"It must also be understood that recitation and declamation in eurythmy must be somewhat different from what is usually done in this day and age. In a certain sense, our time loves the extremely unartistic, and today it is no longer understandable why, for example, Goethe himself rehearsed his iambs with his actors with a baton in his hand like a conductor, paying much more attention to the treatment of language than to the emphasis of the content. Goethe was an artist through and through, whereas today, in an unartistic age, the art of recitation and declamation is usually seen in the expression of the prose content of a poem. In fact, unartistic sensibilities go so far as to consider the recitation and declamation of a poem to be all the more beautiful the less artistic and prosaic it is.","text_trust":"verbatim","quote_safe":true,"word_count":140,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-01-07/p013","german_anchor":{"de_prefix":"1923-01-07","de_passages":[{"locus":"GA 277d/1923-01-07/p013","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-01-07/p013"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":135,"en_words":140,"ratio":1.04,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org//Lectures/GA277d/English/SOL2025/19230107e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-01-07/p013"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":14,"locus":"GA 277d/1923-01-07/p014","text":"We must move away from this again. And this kind of recitation could not be performed in eurythmy at all. [Eurythmy] could only be accompanied by [recitation] in the right way if it were taken into account that there is already an unconscious seed of eurythmy in every linguistic accompaniment, because the whole human being is always present. When he expresses himself, he suppresses the movements that want to come out of him. It is the element of will that is in language.","text_trust":"verbatim","quote_safe":true,"word_count":83,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-01-07/p014","german_anchor":{"de_prefix":"1923-01-07","de_passages":[{"locus":"GA 277d/1923-01-07/p014","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-01-07/p014"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":75,"en_words":83,"ratio":1.11,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org//Lectures/GA277d/English/SOL2025/19230107e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-01-07/p014"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}],"witnesses":[{"lang":"de","edition":"original","is_original":true,"is_default_edition":true,"first_passage":1,"last_passage":17,"passage_count":17,"word_count":1422},{"lang":"en","edition":"English","is_original":false,"is_default_edition":true,"first_passage":1,"last_passage":17,"passage_count":17,"word_count":1432,"completeness":{"ratio":1.01,"band":"comparable","note":null}}],"aligned_witness":{"status":"aligned","lang":"de","edition":"original","confidence":"medium","passages":[{"locus":"GA 277d/1923-01-07/p013","passage_number":13,"text":"Begreiflich muss es auch sein, dass zu der Eurythmie etwas anders rezitiert und deklamiert werden muss, als das sonst in dieser Zeit, in der Gegenwart gewöhnlich geschieht. Unsere Zeit liebt ja in gewissem Sinne außerordentlich Unkünstlerisches, und man findet es heute nicht mehr begreiflich, warum zum Beispiel Goethe selbst seine Jamben mit seinen Schauspielern mit dem Taktstock in der Hand eingeübt hat wie ein Kapellmeister, indem er auf die Behandlung der Sprache viel mehr gesehen hat, als auf die Pointierung des Inhaltes. Goethe war eben durch und durch Künstler, während heute eine unkünstlerische Zeit gewöhnlich Rezitations- und Deklamationskunst darinnen sicht, dass der Prosagehalt einer Dichtung ausgedrückt wird. Wie man ja sogar in einem unkünstlerischen Empfinden so weit geht, dass man die Rezitation und Deklamation eines Gedichtes umso schöner empfindet, je unkünstlerischer und prosaischer sie ist.","text_trust":"verbatim","quote_safe":true,"word_count":135,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-01-07/p013"},{"locus":"GA 277d/1923-01-07/p014","passage_number":14,"text":"Davon muss wieder abgegangen werden. Und diese Art der Rezitation könnte man überhaupt bei der Eurythmie nicht ausführen. Die [Eurythmie] könnte nur von der [Rezitation] in einer richtigen Art begleitet werden, wenn darauf eingegangen wird, dass in jeder Sprachbegleitung schon ein Keim Eurythmie drinnen liegt unbewusst, denn der ganze Mensch ist immer dabei. Wenn er sich ausspricht, unterdrückt er dasjenige, was an Bewegungen aus ihm herauswill. Es ist das Willenselement, das in der Sprache ist.","text_trust":"verbatim","quote_safe":true,"word_count":75,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-01-07/p014"}],"beads":[{"from":[13],"to":[13],"confidence":"medium","pairing_state":"verified"},{"from":[14],"to":[14],"confidence":"medium","pairing_state":"verified"}],"note":"Paired by the paragraph aligner; each language numbers its own paragraphs. A bead at either end of the span can carry text beyond it (the `from` numbers show what each bead covers)."}}