{"corpus":"steiner","locus":"GA 277d/1923-04-08/p012","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"When speaking of poetry, one can say that poetry itself forms the basis as a kind of musical score; on the one hand, the recitative and declamatory elements have an instrumental effect, and on the other hand, what appears on stage as the stage design has an effect as if represented by another instrument. One is really dealing with a kind of orchestral interaction. When it comes to music, the music is played, and then eurythmy acts as a visible song.","text_trust":"verbatim","quote_safe":true,"title":"Eurythmy Performance","site_heading":null,"date":"1923-04-08","location":null,"word_count":81,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-04-08/p012","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230408e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-04-08/p012"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-04-08/p012","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1923-04-08","de_passages":[{"locus":"GA 277d/1923-04-08/p012","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-04-08/p012"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":79,"en_words":81,"ratio":1.03,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-04-08/p012","passage_number":12,"text":"Man kann also sagen, wenn man von der Dichtung spricht: Die Dichtung liegt als eine Art Partitur selber zugrunde; auf der einen Seite wirkt instrumental das Rezitatorische, Deklamatorische, auf der anderen Seite wirkt gleichsam wie durch ein anderes Instrument dargestellt das, was auf der Bühne als Bühnenbild auftritt. Man hat es wirklich mit einer Art orchestralem Zusammenwirken zu tun. Wenn es sich um Musikalisches handelt, so wird das Musikalische gespielt, und dann wirkt die Eurythmie als ein sichtbarer Gesang.","text_trust":"verbatim","quote_safe":true,"word_count":79,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-04-08/p012"}],"english":["GA 277d/1923-04-08/p012"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":79,"en_words":81,"ratio":1.03,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":2087,"original_word_count":2060,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230408e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-04-08/p012"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}