Introduction to a Eurythmy Performance

GA 277d/1923-04-15/p016 ·1923-04-15 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
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In the work of a genuine poet, therefore, a hidden eurythmy is already present in the way language is treated. Thus, there is nothing artificial in eurythmy—indeed, it is entirely natural—and it manifests outwardly what the true poet has subdued, at least to a certain extent. With their entire being poets want to give to the world what they bring down into earthly incarnation. But, being restricted to the medium and use of language, they must artificially restrain certain aspects of what they want to express with a full human quality. This is all released again when transformed into visual expression through the medium of eurythmy. Hearing the speaker's recitation while, at the same time, seeing the soul-spiritual counterpart (which ordinarily flows into the spoken word) in the movements of the performing eurythmists, a direct picture of the full poetic experience is received. Eurythmy really wants to make this inherent poetic experience visible through movement “painted in space.”

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Cite: GA 277d/1923-04-15/p016 · edition English