Introduction to a Eurythmy Performance

Rudolf Steiner: You would hardly say that if you saw very much eurythmy! Let us say, for example, that you recited a poem, and another person recited the same poem. Even if you treated the poem in the same way, from an artistic point of view there would still be two different vocal ranges, and so on. This kind of difference already shows very strongly in eurythmy, where you could soon perceive individual characteristics of the various eurythmists; for these differences are there. And if they have not yet become more prominent, it is only because eurythmy has not been developed far enough. That will happen when eurythmy has advanced to the point where eurythmists really become one with their art. Then a more individual interpretation will become more noticeable.