{"corpus":"steiner","locus":"GA 277d/1923-06-09/p005-p007","extent":"range","passage_number":5,"through":7,"paragraph_count":3,"first_locus":"GA 277d/1923-06-09/p005","last_locus":"GA 277d/1923-06-09/p007","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"title":"Eurythmy Performance","date":"1923-06-09","location":null,"alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"witness_completeness":{"ratio":1.03,"band":"comparable","note":null,"word_count":1909,"original_word_count":1854,"may_be_abridged":false},"site_heading":null,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p005-p007","json_url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p005-p007.json","lecture_url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09#p005","word_count":511,"quote_safe":true,"passages":[{"passage_number":5,"locus":"GA 277d/1923-06-09/p005","text":"Goethe speaks of sensual-supersensual perception for that which is to be captured artistically. If one now endeavors to capture the entire linguistic and vocal organization of the human being artistically, one arrives at something that actually lies behind language and behind singing, something that has to do with the whole human being, whereas language and singing have to do only with individual organ groups. But who could fail to feel that when a person reveals themselves through speech or song, their entire soul is involved, and that this soul is involved in such a way that one actually feels the soul's weaving and working through the entire organism. Therefore, one can also say that, especially when language is not merely used to communicate something conventional or purely logical thoughts, but when language is artistically crafted, then the whole human being actually wants to express itself, and this expression, this revelation of the whole human being, is only concentrated on a limited group of organs.","text_trust":"verbatim","quote_safe":true,"word_count":164,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p005","german_anchor":{"de_prefix":"1923-06-09","de_passages":[{"locus":"GA 277d/1923-06-09/p005","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p005"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":161,"en_words":164,"ratio":1.02,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-06-09/p005"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":6,"locus":"GA 277d/1923-06-09/p006","text":"One can now also go back and ask oneself: What inner movement is required when we sing this or that or say this or that? And then one comes to the conclusion that those movements which are actually converted into air movements by the larynx and its neighboring organs, i.e., which are discharged outwardly, so to speak, can also be traced in reverse as movements toward the inner human being; only in ordinary life they are suppressed. Human beings are actually inclined to accompany everything that is said to them with an inner movement. Or [they] suppress this movement, and it is precisely this suppression that then reveals itself inwardly in the empathy we feel with the world and with other people when we hear something. In the same way, we actually always want to accompany what we ourselves express verbally with movements, with gestures. We suppress these gestures because what is to be expressed is expressed through language, through spoken language.","text_trust":"verbatim","quote_safe":true,"word_count":162,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p006","german_anchor":{"de_prefix":"1923-06-09","de_passages":[{"locus":"GA 277d/1923-06-09/p006","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p006"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":159,"en_words":162,"ratio":1.02,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-06-09/p006"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":7,"locus":"GA 277d/1923-06-09/p007","text":"Now, however, everyone is aware that there is style in singing and also in artistically crafted language, that language is treated in a certain way by poets, for example. Something rhythmic and metrical is created, and melodious themes are also incorporated into the language. The sound design follows a certain imagination. All of this is something that underlies language, but which cannot constantly enter into language. Those who empathize intimately with human life feel how, when they transfer what lies in their soul to their larynx, they externalize it. One might say that what is handed over to the larynx is handed over to the objective spiritual realm. What the soul experiences more inwardly can now be expressed through stylized gestures. And in eurythmy, it is expressed through stylized gestures, so that a real, visible language or a real, visible song emerges. Everything that appears in the form of gestures in individual people or groups of people in this eurythmy is drawn out of the human organism in the same way as the individual sounds of speech, the vowels, consonants, sentence structures, and so on.","text_trust":"verbatim","quote_safe":true,"word_count":185,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p007","german_anchor":{"de_prefix":"1923-06-09","de_passages":[{"locus":"GA 277d/1923-06-09/p007","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p007"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["reader"],"reader_german":["GA 277d/1923-06-09/p007"],"length_check":{"de_words":186,"en_words":185,"ratio":0.99,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-06-09/p007"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}],"witnesses":[{"lang":"de","edition":"original","is_original":true,"is_default_edition":true,"first_passage":1,"last_passage":16,"passage_count":16,"word_count":1854},{"lang":"en","edition":"English","is_original":false,"is_default_edition":true,"first_passage":1,"last_passage":16,"passage_count":16,"word_count":1909,"completeness":{"ratio":1.03,"band":"comparable","note":null}}],"aligned_witness":{"status":"aligned","lang":"de","edition":"original","confidence":"medium","passages":[{"locus":"GA 277d/1923-06-09/p005","passage_number":5,"text":"Goethe spricht von sinnlich-übersinnlichem Schauen für dasjenige, was künstlerisch erfasst werden soll. Wenn man sich nun bemüht, die ganze Sprach- und Gesangsorganisation des Menschen künstlerisch zu erfassen, so kommt man auf etwas, was eigentlich hinter der Sprache und hinter dem Gesang liegt, was mit dem ganzen Menschen zu tun hat, während Sprache und Gesang nur mit einzelnen Organgruppen zu tun haben. Aber wer sollte nicht fühlen, dass dann, wenn der Mensch sich sprachlich oder gesanglich offenbart, dass dann das ganze Seelische des Menschen daran beteiligt ist und dass dieses Seelische so beteiligt ist, dass man eigentlich durch den ganzen Organismus das seelische Weben und Walten fühlt. Daher kann man auch sagen, namentlich dann, wenn die Sprache nicht bloß zur Mitteilung von etwas Konventionellem oder zu reinen logischen Gedankensachen dient, sondern wenn die Sprache künstlerisch gestaltet ist, dass dann sich eigentlich der ganze Mensch äußern will und dass nur konzentriert wird diese Äußerung, diese Offenbarung des ganzen Menschen auf eine eingeschränkte Organgruppe.","text_trust":"verbatim","quote_safe":true,"word_count":161,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p005"},{"locus":"GA 277d/1923-06-09/p006","passage_number":6,"text":"Man kann nun auch zurückgehen und kann sich fragen: Welche innere Bewegung wird gefordert, wenn wir dieses oder jenes singen oder dieses oder jenes aussprechen? Und da kommt man dann darauf, dass sich diejenigen Bewegungen, die eigentlich durch den Kehlkopf und seine Nachbarorgane in Luftbewegungen umgesetzt werden, also gewissermaßen sich nach außen entladen, dass die auch umgekehrt als Bewegungen nach dem inneren Menschen verfolgt werden können; nur werden sie im gewöhnlichen Leben dann unterdrückt. Der Mensch ist eigentlich veranlasst innerlich, alles dasjenige, was ihm gesagt wird, mit einer Bewegung zu begleiten. Oder [er] unterdrückt diese Bewegung, und gerade das Unterdrücken, das offenbart sich dann innerlich in der Mitempfindung, die wir haben mit der Welt und dem Menschen, wenn wir irgendetwas hören. Ebenso wollen wir aber eigentlich auch immer dasjenige, was wir selber sprachlich äußern, durch Bewegungen, durch die Gebärde begleiten. Wir unterdrücken diese Gebärden, weil ja dasjenige, was ausgedrückt werden soll, durch die Sprache, durch die Lautsprache ausgedrückt wird.","text_trust":"verbatim","quote_safe":true,"word_count":159,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p006"},{"locus":"GA 277d/1923-06-09/p007","passage_number":7,"text":"Nun ist sich aber jeder bewusst, dass im Gesang und auch in der künstlerisch gestalteten Sprache Stil liegt, dass die Sprache vom Dichter zum Beispiel in einer gewissen Weise behandelt wird. Es wird etwas Rhythmisches, Taktmäßiges, es werden auch melodiöse Themen in die Sprache hinein gestaltet. Die Lautgestaltung folgt einer gewissen Imagination. Das alles ist etwas, was der Sprache zugrunde liegt, was aber in die Sprache nicht beständig eintreten kann. Derjenige, der das menschliche Leben intim mitfühlt, der empfindet, wie er eigentlich, wenn er das, was in seiner Seele liegt, seinem Kehlkopfe übergibt, es veräußerlicht. Man möchte sagen: Dem objektiven Geistigen wird dasjenige übergeben, was dem Kehlkopf übergeben wird. Man kann nun dasjenige, was die Seele da mehr innerlich erlebt, durch stilisierte Gebärden zum Ausdrucke bringen. Und in der Eurythmie wird es durch stilisierte Gebärden zum Ausdrucke gebracht, sodass eine wirkliche, sichtbare Sprache oder ein wirklicher, sichtbarer Gesang entsteht. Es ist alles, was gebärdenhaft am einzelnen Menschen oder an Menschengruppen auftritt in dieser Eurythmie, so gesetzmäßig aus dem menschlichen Organismus herausgeholt wie die einzelnen Laute der Sprache, die Vokale, Konsonanten, wie die Satzgestaltungen und so weiter.","text_trust":"verbatim","quote_safe":true,"word_count":186,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p007"}],"beads":[{"from":[5],"to":[5],"confidence":"medium","pairing_state":"verified"},{"from":[6],"to":[6],"confidence":"medium","pairing_state":"verified"},{"from":[7],"to":[7],"confidence":"medium","pairing_state":"verified"}],"note":"Paired by the paragraph aligner; each language numbers its own paragraphs. A bead at either end of the span can carry text beyond it (the `from` numbers show what each bead covers)."}}