{"corpus":"steiner","locus":"GA 277d/1923-06-09/p013","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"The style represents, as it were, an elevation into the supersensible; the tonal language brings the supersensible closer to us as human beings. If we eurythmize at the same time, what is recited or declaimed is elevated before our eyes to style, and the style is in turn withdrawn. This is why we feel that eurythmy must be stylized as much as possible, just as we strive to bring recitation and declamation back to the good old days, when Goethe, with his baton in hand like a conductor, rehearsed his iambic dramas with his actors, thus indicating that he placed more emphasis on the treatment of language than on prosaic punctuation. Thus, in order to elevate recitation and declamation to an art form, we must return to the secrets of imaginative and musical speech formation. In this way, truly artistic recitation and declamation can be re-established in eurythmy.","text_trust":"verbatim","quote_safe":true,"title":"Eurythmy Performance","site_heading":null,"date":"1923-06-09","location":null,"word_count":148,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p013","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p013"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p013","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1923-06-09","de_passages":[{"locus":"GA 277d/1923-06-09/p013","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p013"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["anchors","reader"],"reader_german":["GA 277d/1923-06-09/p013"],"length_check":{"de_words":144,"en_words":148,"ratio":1.03,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-06-09/p013","passage_number":13,"text":"Der Stil stellt gleichsam die Erhebung in ein Übersinnliches dar; die Tonsprache bringt das Übersinnliche menschlich näher. Eurythmisieren wir zugleich, so wird dasjenige, was rezitiert oder deklamiert wird, vor dem Auge wiederum zum Stil erhoben, der Stil wiederum zurückgenommen. Daher hat man gerade das Gefühl, dass beim Eurythmisieren soviel als möglich in das Stilisieren übergegangen werden muss, wie man die Rezitation und Deklamation zu den guten alten Zeiten zurückzubringen bestrebt ist, wo Goethe mit dem Taktstock in der Hand wie ein Kapellmeister selbst seine Jambendramen einstudierte mit seinen Schauspielern, dadurch anzeigend, dass er mehr auf die Sprachbehandlung gab als auf das prosaische Pointieren. So muss wiederum auf die Geheimnisse der imaginativen und musikalischen Sprachgestaltung bei der Erhebung des Rezitierens und Deklamierens zur Kunst zurückgegangen werden. Es wird dadurch geradezu auch an der Eurythmie wiederum ein wirklich künstlerisches Rezitieren und Deklamieren wieder herangebildet werden können.","text_trust":"verbatim","quote_safe":true,"word_count":144,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p013"}],"english":["GA 277d/1923-06-09/p013"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":144,"en_words":148,"ratio":1.03,"partial":false},"pairing_state":"verified","verified":true,"evidence":["anchors","reader"],"reader_german":["GA 277d/1923-06-09/p013"]},"witness_completeness":{"ratio":1.03,"band":"comparable","note":null,"word_count":1909,"original_word_count":1854,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-06-09/p013"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}