{"corpus":"steiner","locus":"GA 277d/1923-06-09/p015","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Today, as I always do before these performances, I would like to ask the esteemed audience to bear in mind that we are only just beginning with our eurythmy. We ourselves are most aware of our imperfections. However, we must also say to ourselves: as true as it is on the one hand that what is intended with eurythmy will only be fully developed at a later time, because it makes use of an instrument in a much more perfect way than mere mimic art, which only makes use of the moving human being in accompaniment, while eurythmy claims to bring out everything that is in the human being I would say, so that he is, as a whole, a visibly weaving and living larynx, to bring out in his movements everything that is inherent in him in his form, that can be brought out in him himself as art.","text_trust":"verbatim","quote_safe":true,"title":"Eurythmy Performance","site_heading":null,"date":"1923-06-09","location":null,"word_count":150,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p015","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p015"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-06-09/p015","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. 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The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-06-09/p015","passage_number":15,"text":"Auch heute möchte ich, so wie ich das immer vor diesen Vorstellungen tue, die verehrten Zuschauer bitten, zu bedenken, dass wir ja erst im Anfange sind mit unserer Eurythmie. Wir kennen selbst am besten unsere Unvollkommenheiten. Allein, man muss sich auch sagen: So wahr dies auf der einen Seite ist, dass dasjenige, was mit der Eurythmie gewollt wird, erst in einer späteren Zeit wird voll ausgebildet werden können, denn sie bedient sich ja eines Instrumentes in viel vollkommenerer Art als bloße mimische Kunst, welche ja nur sich des bewegten Menschen in Begleitung bedient, während die Eurythmie darauf Anspruch macht, alles, was im Menschen ist, ich möchte sagen herauszuholen, sodass er im Ganzen ein sichtbar webender und lebender Kehlkopf ist, in seinen Bewegungen alles herauszuholen, was in ihm in seiner Gestalt veranlagt ist, in ihm selber zur Kunst herausgeholt werden kann.","text_trust":"verbatim","quote_safe":true,"word_count":140,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-06-09/p015"}],"english":["GA 277d/1923-06-09/p015"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":140,"en_words":150,"ratio":1.07,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.03,"band":"comparable","note":null,"word_count":1909,"original_word_count":1854,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230609e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-06-09/p015"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}