{"corpus":"steiner","locus":"GA 277d/1923-07-08/p017","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"This truly brings about what is an essential support, for example, for artistic recitation and declamation — in which the poet's struggle was actually to overcome language as something earthly and penetrate into the musical, rhythmic. However, this must be done in the way that Dr. Steiner has been attempting for years: to seek the eurythmic in language, not the abstract emphasis of content, of what is meaningful, but precisely the shaping of language, the musical, plastic, artistic. But then, when on the one hand one adds to declamation and recitation that which is musical, which is achieved through activity, through the overcoming of heaviness [overcomes] in human beings, who in a sense bid farewell to heaviness by putting their limbs into action, when one allows music and declamation to be accompanied by eurythmy, then an orchestral interaction arises which, in essence, can create the full inner beauty of artistry in language or in song or in music in general [and] bring it forth in a different way, thereby bringing out further depths of the artistic.","text_trust":"verbatim","quote_safe":true,"title":"Eurythmy Performance","site_heading":null,"date":"1923-07-08","location":null,"word_count":176,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-07-08/p017","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230708e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-08/p017"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-07-08/p017","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"authorship":{"kind":"report","is_steiner":null,"speaker":null,"note":"This passage speaks ABOUT Rudolf Steiner in the third person, so it is most likely a report, minutes, or an editorial summary rather than his own words. Verbatim, but confirm the speaker before attributing anything here to him."},"attribution_warning":"This passage speaks ABOUT Rudolf Steiner in the third person, so it is most likely a report, minutes, or an editorial summary rather than his own words. Verbatim, but confirm the speaker before attributing anything here to him.","german_anchor":{"de_prefix":"1923-07-08","de_passages":[{"locus":"GA 277d/1923-07-08/p017","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-08/p017"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":175,"en_words":176,"ratio":1.01,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-07-08/p017","passage_number":17,"text":"Dadurch kommt wirklich das zustande, was eine wesentliche Unterstützung ist zum Beispiel der künstlerischen Rezitation und Deklamation - in der eigentlich das als ein Kampf beim Dichter schon war, die Sprache als ein Irdisches zu überwinden, in das Musikalische, Taktmäßige einzudringen. Es muss allerdings das so gemacht werden, was ja durch Frau Doktor Steiner seit Jahren schon versucht wird: In der Sprache das Eurythmische zu suchen, nicht das abstrakte Pointieren des Inhaltes, des Inhaltsvollen, sondern gerade das Gestalten der Sprache, das Musikalisch-Plastisch-Künstlerische. Dann aber, wenn man auf der einen Seite aus der Deklamation und Rezitation dem Musikalischen das beifügt, was man durch das Regsame, durch das die Schwere [Überwindende im] Menschen, der gewissermaßen die Schwere verabschiedet, indem er seine Bewegungsglieder in Aktion bringt, wenn man begleiten lässt Musik und Deklamation durch die Eurythmie, dann entsteht ein orchestrales Zusammenwirken, das im Grunde genommen erst die vollen inneren Schönheiten eines Künstlerischen in der Sprache oder im Gesange oder in der Musik überhaupt schaffen [und] auf eine andere Weise hervorbringen [kann], um dadurch weitere Tiefen des Künstlerischen hervorzuholen.","text_trust":"verbatim","quote_safe":true,"word_count":175,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-08/p017"}],"english":["GA 277d/1923-07-08/p017"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":175,"en_words":176,"ratio":1.01,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":2154,"original_word_count":2117,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230708e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-07-08/p017"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}