{"corpus":"steiner","locus":"GA 277d/1923-07-21/p016","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"But on the whole, we must hold fast to the fact that one can only fully appreciate a poetic creation if one takes the following into account: the reciter, the declaimer, is only able to utter words. Everything artistic depends on how he utters the words. Then, for those who really know how to listen to recitation and declamation with an artistic ear, either an imaginative or a musical image must arise, an image either in sound or in tone, something that is far higher than the thought.","text_trust":"verbatim","quote_safe":true,"title":"Eurythmy Performance","site_heading":null,"date":"1923-07-21","location":null,"word_count":88,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-07-21/p016","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230721e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-21/p016"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-07-21/p016","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1923-07-21","de_passages":[{"locus":"GA 277d/1923-07-21/p016","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-21/p016"}],"bead_confidence":"medium","pairing_state":"proposed","verified":false,"length_check":{"de_words":86,"en_words":88,"ratio":1.02,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-07-21/p016","passage_number":16,"text":"Aber im Ganzen müssen wir festhalten daran, dass man eine dichterische Schöpfung eigentlich nur dann voll vor sich hat, wenn man Folgendes berücksichtigt: Der Rezitator, der Deklamator, der ist nur in der Lage, Worte auszusprechen. Alles Künstlerische kommt darauf an, wie er die Worte ausspricht. Dann muss demjenigen, der nun wirklich mit künstlerischem Ohr auf die Rezitation und Deklamation hinzuhorchen versteht, entweder ein Imaginatives oder ein Musikalisches entstehen, ein Bild entweder in Lautgestaltung oder ein Bild in Tongestaltung, etwas, was weit höher ist als der Gedanke.","text_trust":"verbatim","quote_safe":true,"word_count":86,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-21/p016"}],"english":["GA 277d/1923-07-21/p016"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":86,"en_words":88,"ratio":1.02,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":0.99,"band":"comparable","note":null,"word_count":2536,"original_word_count":2560,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230721e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-07-21/p016"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}