{"corpus":"steiner","locus":"GA 277d/1923-07-29/p003","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"> “The rune of the four winds” by Fiona Macleod  \n> “Summer Evening” by Edward Grieg  \n> “Your deeds are entwined” by Albert Steffen  \n> “I dwelt among secluded souls” by Albert Steffen  \n> “Davidsbündler Tänze” op. 6,11 by Robert Schumann  \n> “Sind unsere Wünsche so flüchtig” by Vladimir Solovyov  \n> Prelude in F minor by J. S. Bach  \n> “Edward” in the transcription by J. G. Herder  \n> ‘Erinnerung’ by Anton Bruckner  \n> Adagio con esprit, Op. 27,1 by L. v. Beethoven  \n> “Hark, hark! The lark” from “Cymbeline” by W. Shakespeare with music by Jan Stuten  \n> “Full fathom five” from “The Tempest” by William Shakespeare  \n> Bourrée in C major from the 3rd Cello Suite by J. S. Bach  \n> “Caprice” by Max Reger","text_trust":"verbatim","quote_safe":true,"title":"Eurythmy Performance","site_heading":null,"date":"1923-07-29","location":null,"word_count":127,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-07-29/p003","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230729e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-29/p003"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-07-29/p003","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1923-07-29","de_passages":[{"locus":"GA 277d/1923-07-29/p003","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-29/p003"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":122,"en_words":127,"ratio":1.04,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-07-29/p003","passage_number":3,"text":"> «The rune of the four winds» von Fiona Macleod  \n> «Sommerabend» von Edward Grieg  \n> «Es schlingen deine Taten» von Albert Steffen  \n> «Ich weilte unter abgeschiednen Seelen» von Albert Steffen  \n> «Davidsbündler Tänze» op. 6,11 von Robert Schumann  \n> «Sind unsere Wünsche so flüchtig» von Wladimir Solowjow  \n> Präludium in f-moll von J. S. Bach  \n> «Edward» in der Übertragung von J. G. Herder  \n> «Erinnerung» von Anton Bruckner  \n> Adagio con esprit op. 27,1 von L. v. Beethoven  \n> «Hark, hark! The lark» aus «Cymbeline» von W. Shakespeare mit Musik von Jan Stuten  \n> «Full fathom five» aus «The Tempest» von William Shakespeare  \n> Bourrde C-Dur aus der 3. Cello-Suite von J. S. Bach  \n> «Caprice» von Max Reger","text_trust":"verbatim","quote_safe":true,"word_count":122,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-07-29/p003"}],"english":["GA 277d/1923-07-29/p003"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":122,"en_words":127,"ratio":1.04,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2769,"original_word_count":2764,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230729e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-07-29/p003"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}