{"corpus":"steiner","locus":"GA 277d/1923-08-26/p014","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"At the time of which I speak, Eurythmy was studied only by a very few people. At the beginning of the war, (the first world war) Frau Dr. Steiner undertook their further training, and from that time on Eurythmy became more and more widely known, and its artistic possibilities very much enriched. The art of Eurythmy, as we know it today, has developed out of the first principles which were given in the year 1912. The work since then has been carried on without interruption; but Eurythmy is still only in its first beginnings, and we are working unceasingly towards its further development and perfection.","text_trust":"verbatim","quote_safe":true,"title":"A Lecture on Eurythmy","site_heading":null,"date":"1923-08-26","location":null,"word_count":105,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-08-26/p014","alignment_confidence":"medium","alignment_reason":"beads:embedding","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"A. C. Harwood","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230826p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p014"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-08-26/p014","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1923-08-26","de_passages":[{"locus":"GA 277d/1923-08-26/p006","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p006"},{"locus":"GA 277d/1923-08-26/p007","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p007"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["anchors","reader"],"reader_german":["GA 277d/1923-08-26/p007"],"reader_part":true,"length_check":{"de_words":243,"en_words":241,"ratio":0.99,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-08-26/p006","passage_number":6,"text":"So ist es ja immer, wenn man sich für das künstlerische Schaffen oder überhaupt für das menschliche Schaffen hingibt an die schaffenden Kräfte der Natur. Wie die schaffenden Kräfte der Natur selber gleichsam aus einem Unendlichen herausarbeiten, sodass man immer viel mehr herausfinden kann aus dem, was entsteht, als dasjenige ist, was man zunächst hineingelegt hat, so ist es, wenn man sich beim künstlerischen Schaffen mit den schöpferischen Kräften und Mächten der Natur verbindet. Man führt dann nicht nur engbegrenzte Impulse aus, sondern man kommt dazu, dass man zuletzt eine Art von Werkzeug wird für die schöpferischen Mächte der Welt und dass eben viel mehr aus der Sache herauswächst, als man ursprünglich beabsichtigen konnte.","text_trust":"verbatim","quote_safe":true,"word_count":114,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p006"},{"locus":"GA 277d/1923-08-26/p007","passage_number":7,"text":"Es wurde dann auch diese Eurythmie zunächst in sehr kleinen Kreisen getrieben und unterrichtet. Dann nahm sich ihrer Frau Doktor Steiner im Beginne der Kriegszeit an, und dadurch gewann sie gewissermaßen immer mehr und mehr an Ausdehnung, aber auch an Inhalt. Dasjenige, was heute die Eurythmie ist, ist eigentlich erst seit jener Zeit zu den ersten, 1912 gegebenen Prinzipien dazu gekommen. Und wir arbeiten ja fortwährend, denn dasjenige, was heute Eurythmie ist, ist ja ein Anfang, wir arbeiten fortwährend an der Ausgestaltung, an der Vervollkommnung. Sie trägt aber, ich möchte sagen unbegrenzte Vervollkommnungsmöglichkeiten in sich. Und deshalb wird sie ganz zweifellos, wenn wir längst nicht mehr dabei sind, ihre weitere Ausbildung und ihre weitergehende Vervollkommnung finden und sich dann als eine jüngere Kunst neben die älteren Künste hinstellen können.","text_trust":"verbatim","quote_safe":true,"word_count":129,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p007"}],"english":["GA 277d/1923-08-26/p013","GA 277d/1923-08-26/p014"],"method":"embedding","confidence":"medium","correspondence":"established","length_check":{"de_words":243,"en_words":241,"ratio":0.99,"partial":false},"pairing_state":"verified","verified":true,"evidence":["anchors","reader"],"reader_german":["GA 277d/1923-08-26/p007"],"reader_part":true},"witness_completeness":{"ratio":1.27,"band":"comparable","note":null,"word_count":8808,"original_word_count":6935,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"A. C. Harwood","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230826p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-08-26/p006","GA 277d/1923-08-26/p007"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}