{"corpus":"steiner","locus":"GA 277d/1923-08-26/p016","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"No art has ever risen out of human intention intellectually conceived, neither can the principle of imitating nature ever produce an art. On the contrary, true art has always been born out of human hearts able to open themselves to the impulses coming from the spiritual world, human hearts which felt compelled to realise these impulses and to embody them in some way in external matter.","text_trust":"verbatim","quote_safe":true,"title":"A Lecture on Eurythmy","site_heading":null,"date":"1923-08-26","location":null,"word_count":66,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-08-26/p016","alignment_confidence":"medium","alignment_reason":"beads:embedding","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"A. C. Harwood","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230826p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p016"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-08-26/p016","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1923-08-26","de_passages":[{"locus":"GA 277d/1923-08-26/p008","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p008"}],"bead_confidence":"medium","pairing_state":"proposed","verified":false,"length_check":{"de_words":124,"en_words":191,"ratio":1.54,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-08-26/p008","passage_number":8,"text":"Künste sind niemals bloß entstanden aus verstandesgemäß gefassten menschlichen Absichten, sind auch niemals entstanden aus dem Prinzipe heraus, die Natur auf irgendeinem Gebiete so oder so nachzuahmen, sondern sie sind immer entstanden, wenn Herzen, menschliche Herzen sich gefunden haben, die Impulse erhalten konnten aus der geistigen Welt und diese Impulse sich genötigt fanden zu verkörpern, zu realisieren durch diesen oder jenen äußeren Stoff. Man kann für jede der einzelnen Künste - Baukunst, Plastik oder Bildhauerei, Malerei, Musik und so weiter - überall nachweisen, wie gewisse spirituelle Impulse aus höheren Welten zu den Menschen kamen, wie besonders geeignete Naturen diese Impulse aufgenommen haben. Und dasjenige, was gewissermaßen sich abgeschatter hat von höheren Welten in das menschliche Schaffen in der physischen Welt, das gaben die Künste.","text_trust":"verbatim","quote_safe":true,"word_count":124,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p008"}],"english":["GA 277d/1923-08-26/p015","GA 277d/1923-08-26/p016","GA 277d/1923-08-26/p017"],"method":"embedding","confidence":"medium","correspondence":"established","length_check":{"de_words":124,"en_words":191,"ratio":1.54,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":1.27,"band":"comparable","note":null,"word_count":8808,"original_word_count":6935,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"A. C. Harwood","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230826p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-08-26/p008"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}