{"corpus":"steiner","locus":"GA 277d/1923-08-26/p027","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"At all periods of civilisation, in a form suited to the particular epoch, side by side with those arts which need for their expression either the external element of space or the external element of time, accompanying and completing these, we find that art which manifests itself through speech—the art of poetry.","text_trust":"verbatim","quote_safe":true,"title":"A Lecture on Eurythmy","site_heading":null,"date":"1923-08-26","location":null,"word_count":52,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-08-26/p027","alignment_confidence":"medium","alignment_reason":"beads:embedding","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"A. C. Harwood","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230826p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p027"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277d/1923-08-26/p027","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1923-08-26","de_passages":[{"locus":"GA 277d/1923-08-26/p013","url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p013"}],"bead_confidence":"medium","pairing_state":"proposed","verified":false,"length_check":{"de_words":155,"en_words":174,"ratio":1.12,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277d/1923-08-26/p013","passage_number":13,"text":"Diejenige Offenbarungsart, durch die der Mensch sein Wesen nach außen für andere Menschen kundgibt, das ist ja die Sprache. Durch die Sprache offenbart sich der Mensch am allerinnerlichsten. Und so ist denn zu denjenigen Künsten, die mehr entweder das räumlich Äußere oder das zeitlich Äußere zu ihrem Vorwurf nehmen, hinzugetreten zu allen Zeiten - entsprechend den einzelnen Zeitaltern gewissermaßen die verschiedenen Künste begleitend - die Kunst, die sich durch die Sprache zur Offenbarung bringt, die Dichtung. Diese Kunst der Sprache - ich nenne die Dichtung ausdrücklich, wir werden nachher sehen, dass dies berechtigt ist, eine «Kunst der Sprache» -, sie ist universeller als die anderen Künste, denn sie kann die anderen Künste in ihren Formen in sich aufnehmen. Man kann davon sprechen, dass die Dichtkunst die Sprachkunst ist - bei dem einen Dichter mehr plastisch, bei dem andern Dichter mehr musikalisch wirkt. Ja, man kann auch von einer malerisch wirkenden Dichtkunst sprechen und so weiter.","text_trust":"verbatim","quote_safe":true,"word_count":155,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277d/1923-08-26/p013"}],"english":["GA 277d/1923-08-26/p026","GA 277d/1923-08-26/p027","GA 277d/1923-08-26/p028"],"method":"embedding","confidence":"medium","correspondence":"established","length_check":{"de_words":155,"en_words":174,"ratio":1.12,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":1.27,"band":"comparable","note":null,"word_count":8808,"original_word_count":6935,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"A. C. Harwood","identified_edition":"SOL2025","book_title":"The Origin and Development of Eurythmy 1923–1925","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277d/English/SOL2025/19230826p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277d/1923-08-26/p013"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}