{"corpus":"steiner","locus":"GA 278/1924-02-25/p004","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Here we meet with two extremes. On the one hand it may be said that the melodic element is tending more and more towards what is thematic, towards the expression of something which is not in itself musical. I have often mentioned that, especially in recent times through a Wagnerian influence, as well as other influences, music on the one hand has become expression, expression of something that is not music. On the other hand, especially in the beginning of the age of Wagner, we also find pure, absolute music (the musical element as such, simply the weaving of musical sounds)—of which it was said (not without a certain justification) that it made music into a tonal arabesque, a progression of notes without content.","text_trust":"verbatim","quote_safe":true,"title":"VI. The Sustained Note; the Rest; Discords","site_heading":null,"date":"1924-02-25","location":null,"word_count":124,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-25/p004","alignment_confidence":"low","alignment_reason":"count_diverges","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Alan P. Stott","identified_edition":"AMTRP1996","book_title":"Eurythmy as Visible Singing","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA278/English/AMTRP1996/19240225p01.html","evidence":"lecture_list_row"},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-25/p004"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-25/p004"}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":4203,"original_word_count":4101,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Alan P. Stott","identified_edition":"AMTRP1996","book_title":"Eurythmy as Visible Singing","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA278/English/AMTRP1996/19240225p01.html","evidence":"lecture_list_row"},"entity_parity":{"status":"not_checkable","note":"No verified paragraph alignment covers this passage, so its names cannot be compared with the German."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}