VI. The Sustained Note; the Rest; Discords

It may help you to carry out these gestures I have already indicated, with inner correctness, and the right inner feeling, if we make a certain basic provision. And the provision should consist that you, as eurythmists, regard the actual note, and in a certain sense the chord too, as that which pushes you into movement, causes you to move, and gives the impetus (Ruck: ‘jolt’) towards movement. You must continue the impetus between two notes and again regard the next note as the impetus which is given to you. In this way the movement will not express the note, and will not emphasize the note, but will express in the fullest possible way everything that lies between the notes and what comes to the fore, for instance, in the intervals. This is of great importance.