{"corpus":"steiner","locus":"GA 278/1924-02-25/p011","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"You will most certainly feel that the second examples are musical, whereas the first exist as if they would not resound. Just try to repeat these sentences one after the other: *Lieb ist viel. Gab man Manna. Eden geht grell. Ob Olaf warm war*. You will easily recognize that the vowels *ah*[1] and *o* lie within the musical sphere, whereas the vowels ee and a depart from it. This is an important matter for eurythmists to observe, for eurythmy must, of course, represent a wholeness. When in tone eurythmy you wish to express something very inward, the movements may be led over into *ah* or *o*, or likewise into *oo*. But the gestures of tone eurythmy may not readily be led over into *e* or *a*. Thus the sounds *ah, o, oo* may be employed in pieces of music for eurythmy in order to emphasize the mood, but *a* and *ee* should only be used when it is definitely intended to pass, at some point or other, out of the musical realm. This is important.","text_trust":"verbatim","quote_safe":true,"title":"VI. The Sustained Note; the Rest; Discords","site_heading":null,"date":"1924-02-25","location":null,"word_count":175,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-25/p011","alignment_confidence":"low","alignment_reason":"count_diverges","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Alan P. Stott","identified_edition":"AMTRP1996","book_title":"Eurythmy as Visible Singing","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA278/English/AMTRP1996/19240225p01.html","evidence":"lecture_list_row"},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-25/p011"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-25/p011"}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":4203,"original_word_count":4101,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Alan P. Stott","identified_edition":"AMTRP1996","book_title":"Eurythmy as Visible Singing","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA278/English/AMTRP1996/19240225p01.html","evidence":"lecture_list_row"},"entity_parity":{"status":"not_checkable","note":"No verified paragraph alignment covers this passage, so its names cannot be compared with the German."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}