VI. The Sustained Note; the Rest; Discords

GA 278/1924-02-25/p017 ·1924-02-25 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

From this you will see that the musical element has content: not the thematic content, which is taken from the sensory world, but a content which appears everywhere when something is expressed in terms of the senses, but in such a manner that everything sensory can be left aside, revealing the essence of the matter. You have to treat the musical element precisely in this way. And the eurythmist has above all things to bear this strongly in mind. And he will bear it strongly in mind when he pays more attention than is usual in listening, when he pays attention to the sustained notes and the rests.

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Cite: GA 278/1924-02-25/p017 · edition English