VI. The Sustained Note; the Rest; Discords

When you are practising, try to find examples of musical phrases containing long rests and very pronounced leaps in pitch, and then try to make the movement as characteristic as possible. This will result in a eurythmy perfectly adapted to the expression of instrumental music; I might say, a singing eurythmy. This will also affect your eurythmy as a whole. For by this means you will feel the very marked contrast which lies between the vowels and the consonants for eurythmic expression. Even if it is true that ee and a actually tend towards a distortion of phonetic imagination, they are nevertheless vowels, and remain within the sphere of music, whereas the consonants are merely noises and lead away from the musical realm.