VII. Musical Physiology; the Point of Departure; Intervals; Cadences

GA 278/1924-02-26/p025 ·1924-02-26 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Thus it is really possible today that all the musical elements may be included in eurythmy. It is, of course, impossible to work out the actual exercises during these lectures; you will, however, understand how matters lie, and in the future it will be a question of thoroughly practising all the things which I am putting before you. It is only through practising that you really get into it. Then you will see that this is precisely the method of tone eurythmy.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/278/1924-02-26/p025.json
Cite: GA 278/1924-02-26/p025 · edition English