{"corpus":"steiner","locus":"GA 278/1924-02-27/p016","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"You see, in pitch, the soul is purely concerned with itself. Consequently in pitch, the soul rises up to God or sinks down to the Devil, [53] living to the extreme completely within its own essence.","text_trust":"verbatim","quote_safe":true,"title":"VIII. Pitch (ethos and pathos), Note Values, Dynamics, Changes of Tempo","site_heading":null,"date":"1924-02-27","location":null,"word_count":36,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-27/p016","alignment_confidence":"medium","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Alan P. Stott","identified_edition":"AMTRP1996","book_title":"Eurythmy as Visible Singing","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA278/English/AMTRP1996/19240227p01.html","evidence":"lecture_list_row"},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p016"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-27/p016","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1924-02-27","de_passages":[{"locus":"GA 278/1924-02-27/p023","url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p023"}],"bead_confidence":"medium","correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":4428,"original_word_count":4393,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Alan P. Stott","identified_edition":"AMTRP1996","book_title":"Eurythmy as Visible Singing","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA278/English/AMTRP1996/19240227p01.html","evidence":"lecture_list_row"},"entity_parity":{"status":"ok","checked_against":["GA 278/1924-02-27/p023"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}