{"corpus":"steiner","locus":"GA 278/1924-02-27/p024-p034","extent":"range","passage_number":24,"through":34,"paragraph_count":11,"first_locus":"GA 278/1924-02-27/p024","last_locus":"GA 278/1924-02-27/p034","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"title":"VIII. Pitch (ethos and pathos), Note Values, Dynamics, Changes of Tempo","date":"1924-02-27","location":null,"alignment_confidence":"medium","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Alan P. 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In such a case, if other aspects do not indicate the contrary, much can be expressed by the treatment of the form.","text_trust":"verbatim","quote_safe":true,"word_count":66,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-27/p024","german_anchor":{"de_prefix":"1924-02-27","de_passages":[{"locus":"GA 278/1924-02-27/p033","url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p033"}],"bead_confidence":"medium","length_check":{"de_words":66,"en_words":95,"ratio":1.44,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Alan P. 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If you follow your musical feelings you will be able to add, according to the progression of the phrase, certain steps backwards and forwards, still following the direction of the form (b)","text_trust":"verbatim","quote_safe":true,"word_count":42,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-27/p028","german_anchor":{"de_prefix":"1924-02-27","de_passages":[{"locus":"GA 278/1924-02-27/p035","url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p035"}],"bead_confidence":"medium","correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Alan P. 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Stott","identified_edition":"AMTRP1996","book_title":"Eurythmy as Visible Singing","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA278/English/AMTRP1996/19240227p01.html","evidence":"lecture_list_row"},"entity_parity":{"status":"ok","checked_against":["GA 278/1924-02-27/p037"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. 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And further, if you make the movements of this latter type stronger in a four-bar phrase, let's say, and bring out the eight-bar phrase (which has four main accents) by clearly showing the alternating direction of left-right, then you will succeed in expressing in eurythmy this plastically-formed development in the progression of the phrase.","text_trust":"verbatim","quote_safe":true,"word_count":61,"url":"https://anthroposophy.ai/v1/steiner/en/ga/278/1924-02-27/p034","german_anchor":{"de_prefix":"1924-02-27","de_passages":[{"locus":"GA 278/1924-02-27/p038","url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p038"}],"bead_confidence":"medium","length_check":{"de_words":67,"en_words":61,"ratio":0.91,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. 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Da wird man, wenn nicht andere Gründe dagegen sprechen, vieles nun durch die Behandlung der Form selber zum Ausdrucke bringen können.","text_trust":"verbatim","quote_safe":true,"word_count":66,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p033"},{"locus":"GA 278/1924-02-27/p034","passage_number":34,"text":"-I23","text_trust":"verbatim","quote_safe":true,"word_count":1,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p034"},{"locus":"GA 278/1924-02-27/p035","passage_number":35,"text":"Denken Sie sich einmal, Sie haben innerhalb eines Musikstückes diese Form durchzuführen (siehe Zeichnung a). Ganz abgesehen von allem, was Sie an Ihrem Körper ausführen, haben Sie diese Form auszuführen. Und nach Ihrem musikalischen Empfinden wer- den Sie, wenn Sie ein fortlaufendes Motiv haben, in diese Form einfügen können ein Vorw`ärtsschreiten, ein Rückwärtsschreiten im Fortschreiten (siehe Zeichnung b).","text_trust":"verbatim","quote_safe":true,"word_count":58,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p035"},{"locus":"GA 278/1924-02-27/p036","passage_number":36,"text":"Haben Sie aber eine solche Fortführung des Motivs, dass sich ein nächstes Motiv einem vorigen gleichsam gegenüberstellt, wie Frage und Antw`ort sich verhält, dann werden Sie im Fortschreiten in der Form gut tun, wenn Sie in dieser Weise fortschreiten (siehe Zeichnung c): wenn Sie also in die Form hineinbringen ein Ausgestalten der Form.","text_trust":"verbatim","quote_safe":true,"word_count":53,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p036"},{"locus":"GA 278/1924-02-27/p037","passage_number":37,"text":"Ein anderes MOment, wodurch man die Folge oder die Gegenäberstellung, die wiederholentliche Folge oder die Gegenüberstellung der Motive zum Ausdruck bringen kann, ist dieses, dass man ein fortschreitendes Motiv an bestimmten Stellen, wo man das Fortschreiten besonders empfindet - also sagen wir, wenn eine neue Metamorphose des Motivs beginnt -, dass man das ausdrückt, indem man nach rechts hinüber in der Richtung die Bewegungen ausführt (siehe Zeichnung b). Stellen Sie einem Motiv ein anderes gegenüber an der Stelle, wo es beginnt, machen Sie eine Wendung nach links hinüber (siehe Zeichnung c).","text_trust":"verbatim","quote_safe":true,"word_count":91,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p037"},{"locus":"GA 278/1924-02-27/p038","passage_number":38,"text":"Solche Dinge machen die Bewegungen ungeheuer ausdrucksvoll. Und bringen Sie ausserdem zustande, dass Sie stärker solche ausdrucksvollen Bewegungen von der letzteren Art, sagen wir, beim kleinen Satz machen, und den grossen Satz - der also vier Schwerpunkte hat im Motiv - dadurch hervorbringen, dass Sie wechseln in der Deutlichkeit des Links- und Rechtswendens, dann können Sie bis zu diesen plastischen Ausgestaltungen des Motivverlaufes in der Eurythmie gelangen.","text_trust":"verbatim","quote_safe":true,"word_count":67,"url":"https://anthroposophy.ai/v1/steiner/de/ga/278/1924-02-27/p038"}],"beads":[{"from":[24,25,26],"to":[33],"confidence":"medium"},{"from":[27],"to":[34],"confidence":"medium"},{"from":[28,29,30],"to":[35],"confidence":"medium"},{"from":[31,32],"to":[36],"confidence":"medium"},{"from":[33],"to":[37],"confidence":"medium"},{"from":[34],"to":[38],"confidence":"medium"}],"note":"Paired by the paragraph aligner; each language numbers its own paragraphs. A bead at either end of the span can carry text beyond it (the `from` numbers show what each bead covers)."}}