I. Eurythmy as Visible Speech

GA 279/1924-06-24/p005 ·1924-06-24 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: stenogram (shorthand transcript). Shorthand transcript taken during the lecture — the strongest kind of lecture record in this corpus. Evidence: «Das Stenogramm wurde neu übertragen» (The shorthand transcript was transcribed anew). The publisher's description of the 2019 edition, as mirrored on AnthroWiki (GA 279). The translation is the maintainer's, not a published one.

The first lecture will be in the nature of an introduction and this will be followed by a lecture dealing with the first elements of speech-eurhythmy. In every branch of eurhythmic activity it is necessary above all that the personality, the whole human being of the eurhythmist should be brought into play, so that eurhythmy may become an expression of life itself. This cannot he achieved unless one enters into the spirit of eurhythmy, feeling it actually as visible speech. As in the case of all artistic appreciation, it is quite possible for anyone to enjoy eurhythmy as a spectator, without having acquired any knowledge of its essential basis, just as it is quite unnecessary to have studied harmony or counterpoint to be able to appreciate music. For it is an accepted fact of human evolution that the healthily developed human being carries within him a natural appreciation and understanding of art.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/279/1924-06-24/p005.json
Cite: GA 279/1924-06-24/p005 · edition English