{"corpus":"steiner","locus":"GA 279/1924-06-24/p050","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"What I have said here about eurhythmy can indeed be said about any of the arts, for in some way or another every art springs from a divine origin. But in eurhythmy most especially, because it makes use of the human being as its instrument, one is able to penetrate most deeply into the connection existing between the human being and the cosmic being. For this reason one cannot fail to appreciate eurhythmy. For just suppose that one had no real conception of the nature of human beauty, as this is expressed in the outward human form, and then suppose that one had the opportunity of being shown how in the beginning, God created the beautiful human form out of movement, and one saw the repetition of those divine creative movements in the eurhythmic gestures, then one would receive the answer to the question: How did human beauty come into being?","text_trust":"verbatim","quote_safe":true,"title":"I. Eurythmy as Visible Speech","site_heading":null,"date":"1924-06-24","location":null,"word_count":151,"url":"https://anthroposophy.ai/v1/steiner/en/ga/279/1924-06-24/p050","alignment_confidence":"medium","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Vera Compton-Burnett and Judith Compton-Burnett","identified_edition":"APC1956","book_title":"Eurythmy as Visible Speech","publisher":"Anthroposophical Publishing Co.","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA279/English/APC1956/19240624p02.html","evidence":"lecture_list_row","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/279/1924-06-24/p050"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/279/1924-06-24/p050","paragraph_aligned":true}],"record":{"record_type":"stenogram","scope":"volume","note":"Shorthand transcript taken during the lecture — the strongest kind of lecture record in this corpus.","evidence":"Das Stenogramm wurde neu übertragen","evidence_translation":"The shorthand transcript was transcribed anew","evidence_source":"The publisher's description of the 2019 edition, as mirrored on AnthroWiki (GA 279). The translation is the maintainer's, not a published one."},"german_anchor":{"de_prefix":"1924-06-24","de_passages":[{"locus":"GA 279/1924-06-24/p051","url":"https://anthroposophy.ai/v1/steiner/de/ga/279/1924-06-24/p051"},{"locus":"GA 279/1924-06-24/p052","url":"https://anthroposophy.ai/v1/steiner/de/ga/279/1924-06-24/p052"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","reader"],"reader_german":["GA 279/1924-06-24/p051","GA 279/1924-06-24/p052"],"length_check":{"de_words":127,"en_words":151,"ratio":1.19,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 279/1924-06-24/p051","passage_number":51,"text":"So wie ich hier über Eurythmie spreche, kann man schon über jede Kunst sprechen, denn von irgendeiner Ecke her ist jede Kunst in dieser Art aus dem Göttlichen heraus zu kriegen. Aber gerade bei der Eurythmie sieht man, weil sie sich des Menschen als eines Teiles, als eines Werkzeuges bedient, am tiefsten hinein in den Zusammenhang des Menschenwesens mit dem Weltenwesen. Daher muß Ihnen Eurythmie gefallen. Denn denken Sie, wenn man zunächst nicht recht weiß, was menschliche Schönheit ist, aus den äußeren menschlichen Gestalten, und dann vorgeführt bekommt, wie Gott ursprünglich die schöne Menschengestalt aus der Bewegung heraus formte, in der Wiederholung der eurythmischen Formen aus den göttlichen Schaffens-bewegungen für den Menschen, so ist das die Antwort auf die Frage :","text_trust":"verbatim","quote_safe":true,"word_count":121,"url":"https://anthroposophy.ai/v1/steiner/de/ga/279/1924-06-24/p051"},{"locus":"GA 279/1924-06-24/p052","passage_number":52,"text":"Wie bildet sich die menschliche Schönheit?","text_trust":"verbatim","quote_safe":true,"word_count":6,"url":"https://anthroposophy.ai/v1/steiner/de/ga/279/1924-06-24/p052"}],"english":["GA 279/1924-06-24/p050"],"method":"length","confidence":"medium","correspondence":"established","length_check":{"de_words":127,"en_words":151,"ratio":1.19,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","reader"],"reader_german":["GA 279/1924-06-24/p051","GA 279/1924-06-24/p052"]},"witness_completeness":{"ratio":1.12,"band":"comparable","note":null,"word_count":6442,"original_word_count":5736,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Vera Compton-Burnett and Judith Compton-Burnett","identified_edition":"APC1956","book_title":"Eurythmy as Visible Speech","publisher":"Anthroposophical Publishing Co.","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA279/English/APC1956/19240624p02.html","evidence":"lecture_list_row","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 279/1924-06-24/p051","GA 279/1924-06-24/p052"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}