I. Eurythmy as Visible Speech

Thus we have to look upon eurhythmy as an art of healing, just as in ancient clairvoyant times it was known that certain sounds, uttered with a special intonation, reacted upon the health of man. But in those days one was shown how to affect the health by a more or less roundabout way, by means of the air, which worked back again into the etheric body. If one works more directly, if one makes the patient actually do the movements corresponding to the formation of his organs,—the point being, of course, that one knows what these movements really are,—(e.g. certain movements of the foot and leg correspond to certain formations right up in the head),—when one reproduces all this, then there arises this third aspect of eurhythmy, curative eurhythmy.