VI. Different Aspects of the Soul-Life

GA 279/1924-07-01/p038 ·1924-07-01 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: stenogram (shorthand transcript). Shorthand transcript taken during the lecture — the strongest kind of lecture record in this corpus. Evidence: «Das Stenogramm wurde neu übertragen» (The shorthand transcript was transcribed anew). The publisher's description of the 2019 edition, as mirrored on AnthroWiki (GA 279). The translation is the maintainer's, not a published one.

Thus, when a true poet wishes to express the element of thought he will make special use of the e-sound. I am speaking now in quite an idealistic sense, for it will rarely be possible to carry out all the demands of art. If this were done very, very few poems would be written—for which one might indeed be thankful—for the poet would not quickly acquire the necessary intuition. If a poet makes use of many e or i sounds, you may be sure that he is a poet who chiefly tends to express the element of thought. He tends to the epic in poetry. Whereas you will find that a poet who is continually making use of the vowel sounds a, o and u, tends more to express feeling in his poems. A poet who makes little use of vowels and much use of con-sonants is one who is developing the will side of his nature. Therefore, you must follow closely the character of the poet when building up a eurhythmic form.

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Cite: GA 279/1924-07-01/p038 · edition English