XII. The Outpouring of the Human Soul into Form and Movement: The Curative Effect of this Upon the Moral and Psychic Nature and its Reaction upon the Whole Being of Man

Do it in such a way that the long line faces the audience and that you show the intensification in the long line—thus you must take your start from this point (1); you only move backwards in order that you may be seen by the audience. Now when practising this you will find the fact that the sentences are not built up according to the Anapaest rhythm somewhat disagreeable to the ear. But this does not matter; you must feel the movement, even if this rhythm does not actually lie in the words. It is just in this way that the language of eurhythmy may express something which cannot be fully expressed by language itself—for there is no German word for peace which ends with an emphasized syllable. Let us try it once more: