Chapter III

Robert Zimmermann was a notable personality. He had an extraordinarily high forehead and a long philosopher's beard. With him everything was measured, reduced to style. When he entered through the door and mounted to his seat, his steps seemed to be studied, and all the more so because one felt: “With this man it is obviously natural to be like that.” In posture and movement he was as if he had formed himself thus through long discipline according to the aesthetic principles of Herbart. And yet one could entirely sympathize with all this. He then slowly sat down on the chair, cast a long glance through his spectacles over the auditorium, then slowly and precisely took off his glasses, looked once more for a long time without spectacles over the circle of auditors, and finally began to lecture, without manuscript but in carefully formed, artistically spoken sentences. There was something classic in his speech. Yet, owing to the long periods, one easily lost the thread of his discourse. He expounded Herbart's philosophy in a somewhat modified form. The close logic of his teaching impressed me. But it did not impress the other hearers. During the first three or four periods the great hall in which he lectured was full. “Practical Philosophy” was required for the law students in the first year. They needed the signature of the professor on their cards. From the fifth or sixth lecture on, most of them stayed away; while one listened to the classical philosopher, one was in a very small group of auditors on the farthest benches.