{"corpus":"steiner","locus":"GA 28/l25/p013","lang":"en","edition":"APC1928","edition_basis":"Marie Steiner edition (posthumous)","is_original":false,"is_default_edition":true,"text":"For everything which the art of thinking can do for dramatic poetry is possible also for theatrical art. It is possible by means of thought-fantasy to bring into existence that which the art of the manager has introduced into the stage-conception; in this way it is possible to follow the actor, and, not through criticism but by “positive” presentation, cause that which is alive in him to stand forth. Then one becomes as a “writer” a formative participant in the artistic life of the time, and not a “judge” standing in the corner, “dreaded,” “pitied,” or even despised and hated. When this is practised for all branches of art, a literary-artistic periodical is in the midst of actual life.","text_trust":"verbatim","quote_safe":true,"title":"Chapter XXV","site_heading":"Theatre as Creative Spiritual-Artistic Revelation","site_heading_note":"A heading the site wrote for this unit from a summary of it; not in the edition, and not the words of Rudolf Steiner or of the translator. Cite the unit by its title and locus, never by this heading, and do not quote it.","date":null,"location":null,"word_count":119,"url":"https://anthroposophy.ai/v1/steiner/en/ga/28/l25/p013","alignment_confidence":"high","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":null,"edition_coverage":{"de":["original"],"en":["APC1928"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":"Marie Steiner edition (posthumous)","is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/28/l25/p013"},{"lang":"en","edition":"APC1928","edition_basis":"Marie Steiner edition (posthumous)","is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/28/l25/p013","paragraph_aligned":true}],"paired_german":{"status":"paired","german":[{"locus":"GA 28/l25/p013","passage_number":13,"text":"Denn alles das, was man durch die Gedankenkunst für die dramatische Dichtung tun kann, das ist auch für die Schauspielkunst möglich. Man kann in Gedanken-phantasie erstehen lassen, was die Regiekunst in das Bühnenbild hineinversetzt; man kann in solcher Art dem Schauspieler folgen, und was in ihm lebt nicht kritisierend, sondern «positiv» darstellend erstehen lassen. Man wird dann als «Schreibender» ein Mitgestalter am ltünstlerischen Zeitleben, nicht aber ein in der Ecke stehender «gefürchteter», «bemitleideter» oder wohl auch verachteter und gehaßter «Beurteiler». Wenn das für alle Gebiete [358] der Kunst durchgeführt wird, dann eben steht eine literarisch-künstlerische Zeitschrift im wirklichen Leben darinnen.","text_trust":"verbatim","quote_safe":true,"word_count":100,"url":"https://anthroposophy.ai/v1/steiner/de/ga/28/l25/p013"}],"english":["GA 28/l25/p013"],"method":"length","confidence":"high","correspondence":"established","length_check":{"de_words":100,"en_words":119,"ratio":1.19,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":1.14,"band":"comparable","note":null,"word_count":2458,"original_word_count":2159,"may_be_abridged":false},"witness_quality":{"translator":{"status":"unknown","warning":"No translator is recorded for this edition. An unattributed translation cannot be weighed as a witness: you cannot tell which hand made the choices in it. Cite the German for anything load-bearing."},"entity_parity":{"status":"ok","checked_against":["GA 28/l25/p013"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}