I. The Forming of Speech as Art

GA 282/1924-09-05/p038 ·1924-09-05 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
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Looking first into his life of feeling, we find it was not like ours today. In comparison with it, our feelings tend to remain in the abstract. Primeval man, in the very moment of feeling, were it even a feeling of the most intimate kind, would at once express it in speech. He would not have found it possible, for instance, to have a tender feeling for a little child without being prompted in his soul to bring that feeling to expression in the form of his speech. Merely to say: ‘I love him tenderly’, would have had no meaning for him; what would have had meaning would have been to say perhaps: ‘I love this little child so very ei-ei-ei!’[5] There was always the need to permeate one's whole feeling with artistically formed speech.

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Cite: GA 282/1924-09-05/p038 · edition English