I. The Forming of Speech as Art

GA 282/1924-09-05/p043 ·1924-09-05 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
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The artist who has to speak a lyric is not confronting another person. He faces himself alone. His speech must accordingly be so formed that it may become the pure expression of his inner being. The lyric of today can therefore not be spoken in any other way than by letting even the consonants lean over a little in the direction of vowels. (We shall go into this in more detail later.) To speak lyrical poetry aright, you need to know that every consonant carries in it a vowel nuance. L, for example, carries in it an i (ee), which you can see for yourselves from the fact that in many languages where at some time in their development an I occurs in a certain word, in other forms of that word we find an i.[^4] As a matter of fact, all consonants have within them something of the quality of a vowel. And for speaking lyrics it is of the first importance that we should learn to perceive the vowel in each single consonant.

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Cite: GA 282/1924-09-05/p043 · edition English