XI. The Relation of Gesture and Mime to the forming of Speech

GA 282/1924-09-15/p037 ·1924-09-15 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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If you want to express rapture, then you must try to attain a pure out-breathing, as we have it in *h. You could begin by saying the word Jehova. Then, gazing upwards and with arms also raised, let the ho become sheer out-breathing. There you have the gesture for rapture: arms reaching upwards, eyes also gazing upwards. (With many people you will find that even the lobes of the ears are lifted and the nostrils opened wide; one can, however, leave that to the unconscious.) And all the time you will be intoning h, doing your best to bring it at last to mere out-breathing, as pure as ever you can make it. So long as the h is in combination with the vowel, it is not yet pure. That is why I say, you have to make strenuous effort to attain it: Jehova, ho ho ... ho ... h ...* You did not hear anything then, but I was doing it, the pure out-breathing And you will have noted the change that comes over the upward gaze as soon as ever one passes from the intoning with vowel accompaniment to the out-breathing pure and simple. That, then, is rapture.

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Cite: GA 282/1924-09-15/p037 · edition English