IV. The Symbolism of the Building at Dornach II

In this way, being with a color, but especially with many colors, can be invigorated. And all these things actually are in the work of nature. And only someone who educates himself in this immersion in the elements of nature can understand this. Therefore, it is somewhat striking when, let us say, in the current, indeed, in itself quite justified new striving for art, things come across that actually show that one has come out of imitating nature and, isn't it true, into something that one is actually striving for new artistic things in the inartistic. When we see that all manner of expressionist and futurist and so forth things are put together in any old way, or put together differently, what appears in nature in a certain way, then very often – not always, of course – there is something very unjustified in such a combination. For example, someone who forms a human eye cannot help but place the second eye in the right place if they do not merely see, but if they know how to live intimately with the creative forces of nature. This is because the eye is not something in itself, but only exists with the second eye. But one only comes to the inner essential creation of nature when one can live with the entities of nature, for example with colors.