{"corpus":"steiner","locus":"GA 288/1920-04-05/p011","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"And now, look, how could it not be possible to create from color itself? I just want to know when someone says: I am not interested in something created according to the model, but I am interested in applying the colors, I just want to know why then the form should not emerge from this pure application of the colors as the creature of the color. We have to get away from the model again. We have to get away from being tied to the naturalistic. Art has worked on that long enough. But we have to be able to develop an interest in seeing a light surface simply as a color spot and seeing a dark surface as a color spot. I would like to know how, when you simply have a light and a dark surface in an arrangement [it is drawn], how you could not feel a face turned in this direction, surrounded by hair growth here (Fig. 105).","text_trust":"verbatim","quote_safe":true,"title":"IV. The Symbolism of the Building at Dornach II","site_heading":null,"date":"1920-04-05","location":null,"word_count":162,"url":"https://anthroposophy.ai/v1/steiner/en/ga/288/1920-04-05/p011","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Architecture, Sculpture and Painting of the First Goetheanum","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA288/English/SOL2024/19200405p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/288/1920-04-05/p011"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/288/1920-04-05/p011","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 288/1920-04-05/p011","passage_number":11,"text":"Und nun, sehen Sie, wie sollte es nicht möglich sein, aus der Farbe selbst heraus zu schaffen? Ich möchte bloß wissen, wenn jemand sagt: Mich interessiert nicht irgendetwas nach dem Modell Geschaffenes, sondern mich interessiert das Auftragen der Farben, ich möchte bloß wissen, warum dann nicht aus diesem reinen Auftragen der Farben die Form als das Geschöpf der Farbe hervorgehen sollte. Wir müssen wieder loskommen vom Modell. Wir müssen loskommen von dem Gebundensein an das Naturalistische. An dem hat die Kunst lange genug gearbeitet. Aber wir müssen Interesse dafür bekommen können, eine helle Fläche einfach als Farbenfleck zu sehen, und eine dunkle Fläche daran als Farbenfleck zu sehen. Ich möchte gern wissen, wie man, wenn man einfach in einer Anordnung eine helle und eine dunkle Fläche hat [es wird gezeichnet], wie man dann nicht ein nach dieser Richtung hin gewendetes Gesicht empfinden könnte, das hier von Haarwuchs umgeben ist (Abb. 105).","text_trust":"verbatim","quote_safe":true,"word_count":151,"url":"https://anthroposophy.ai/v1/steiner/de/ga/288/1920-04-05/p011"}],"english":["GA 288/1920-04-05/p011"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":151,"en_words":162,"ratio":1.07,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.04,"band":"comparable","note":null,"word_count":6652,"original_word_count":6409,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Architecture, Sculpture and Painting of the First Goetheanum","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA288/English/SOL2024/19200405p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 288/1920-04-05/p011"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}