{"corpus":"steiner","locus":"GA 288/1920-04-05/p015","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Because the small cupola room is painted, the motifs are only the novellistic, not even the truly pictorial, artistic. But you have seen the thing itself, and so you might remember, especially in the pictures that I can show here, what you saw. It is perhaps even interesting to note how what is on the dome wall there cannot be reproduced if you only have the motif. But the motif itself, if you have it, must show that there is something incomplete about it. A motif that only appears in black and white is simply not satisfactory, because you have to be able to say what is missing. There must be something missing, because what is actually supposed to be depicted is areas of color, not black and white, and not lines, while what will appear to us is the novellistic element, the thought, which basically does not belong at all.","text_trust":"verbatim","quote_safe":true,"title":"IV. The Symbolism of the Building at Dornach II","site_heading":null,"date":"1920-04-05","location":null,"word_count":151,"url":"https://anthroposophy.ai/v1/steiner/en/ga/288/1920-04-05/p015","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Architecture, Sculpture and Painting of the First Goetheanum","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA288/English/SOL2024/19200405p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/288/1920-04-05/p015"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/288/1920-04-05/p015","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 288/1920-04-05/p015","passage_number":15,"text":"Weil nun hier im kleinen Kuppelraum aus der Farbe heraus geschaffen ist, sind natürlich die Motive nur das Novellistische, nicht einmal das wirklich bildnerisch Künstlerische. Aber Sie haben ja die Sache selbst gesehen, und Sie werden daher vielleicht sich erinnern, gerade an den Bildern, die ich hier zeigen kann, an dasjenige, was Sie gesehen haben. Es ist vielleicht sogar interessant, zu schen, wie dasjenige, was dort an der Kuppelwand sich befindet, doch eben nicht nachgebildet werden kann, wenn man das bloße Motiv hat. Aber das Motiv selbst, wenn man es hat, es muss zeigen, dass es etwas Unvollkommenes hat. Es kann einfach ein Motiv, das nur in Schwarzweiß erscheint, nicht befriedigen, weil man sich sagen muss, was fehlt. Es muss natürlich fehlen; denn dasjenige, was eigentlich dargestellt werden soll, das sind Farbflächen, das ist nicht Schwarzweiß, und das sind nicht Linien, während uns jetzt gerade dasjenige erscheinen wird, was das Novellistische ist, der Gedanke, der eigentlich im Grunde gar nicht zur Sache gehört.","text_trust":"verbatim","quote_safe":true,"word_count":163,"url":"https://anthroposophy.ai/v1/steiner/de/ga/288/1920-04-05/p015"}],"english":["GA 288/1920-04-05/p015"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":163,"en_words":151,"ratio":0.93,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.04,"band":"comparable","note":null,"word_count":6652,"original_word_count":6409,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Architecture, Sculpture and Painting of the First Goetheanum","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA288/English/SOL2024/19200405p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 288/1920-04-05/p015"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}